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» Paul McGowan. tubes in p»
» (Hopefully short) headph»
» Wharfedale Super 12/RS/D»
» The nature of "soun»
» Some Orchestra on Demand»
» What a week in Boston!
» Afraid loudspeakers that»
» Null-set dipole butterfl»
» It is all about hard sur»
» The real goals of sound »
» Khatia Buniatishvili
» The differential diagnos»
» The "anecdotal"»
» A quest for a better mon»
» Some nice horns from Gre»
» Micro seiki SX-8000 Air »
» Stop having a fear of ho»
» Sandisk Sansa Clip +
» The sound compromises of»
» Not new, but VERY intere»
» Andrew's new 4-way horn »
» The single-stage Milq an»
» Why GOTO do not care abo»
» Write your own ploy of t»
» Antenna diversity system»
» Orion Phono Preamplifier
» Education vs Magic
» "Something is rotte»
» Super Melquiades, Macond»
» Anyone experimented with»
» Accuracy vs. Musicality »
» Non-Jewish Jewish music »
» To hear Haydn for a firs»
» An interesting comment, »
» Boston Philharmonic Mahl»
» Mitigating Undesired Hig»
» Buzz/Kill, and The Most »
» Adding one more non-sphe»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Korvet “Egg” Tonearm
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Rohde & Schwarz EU-6201»
Sansui TU-X1 Tuner
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Tribute Output Amorphou»
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Electro-Voice T350 twee»
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