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The Classical Music Caf&»
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Equalizer? Hm…
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Metaxas-Wolfson ADC with»
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What lives in Symmetric »
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The stunning “The Magic »
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Lutoslawski’s Concerto f»
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The "artificially&q»
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It is imposable to “hear»
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Swell New RIAA-Only Phon»
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Ravel's Piano Trio; Rubi»
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The unintended consequen»
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Do not buy CDs mastered »
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A CD playing audio perso»
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Cooperation for the comm»
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Nanse Gum and his Euro-A»
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Amplifiers heat… a real-»
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NESPA Optical Disc Final»
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From bad Opera to good O»
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How to start Classical M»
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My playback can’t play l»
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Elgar conducts Elgar.
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How to give bats a heada»
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Dinsdale Horn Design Art»
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The GoodSoundClub’s ‘Ult»
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Schimmel's Voxativ Ampeg»
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Those little headphones…
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GoodSoundClub – one year»
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Joseph Haydn, Six Esterh»
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Full range Melquiades im»
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When the stars aligned.
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Yamamura's 6 ways
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Horns and digital crosso»
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The Thomas Blumenhofer’s»
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Copland/BSO/Copland
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Lecture on history of ar»
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The Ralf Stegmueller’s h»
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Classical events in Boston
APR 5
Song of Songs / Song»
APR 5
How it Ends in Bosto»
APR 6
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he wasn’t toscanini, but h»
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My Audio Leftovers
ESS AMT-1A Heil Air Mot»
Lamm ML-2 Single-Ended »
Altec 515B bass drivers
CEC TL-0 MK2 transport
Musatex-TP Bidat 20-Bi»
Mid-range tantrix round»
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Pacific Microsonics Mod»
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