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» Orphean horns of bd desi»
» How to waste $25.000.00
» Stands for Super Melquia»
» Macondo listening experi»
» Relief from micro-arcing»
» A discussion about the a»
» A very slow monolog abou»
» The Jeff Day’s Westminst»
» Instrumental music vs. o»
» Boston and Liszt’s Secon»
» The Melquiades' "Re»
» Vitavox S2 with Electrom»
» “Hearing Modernity” at H»
» Sound from behind a wind»
» Boston Philharmonic Mahl»
» Kenwood L-02T and the hy»
» Belcea Quartet
» More about the EdgarHorn»
» 6E6P-DR in triode mode
» Dinsdale Horn Design Art»
» What is interesting abou»
» Things to look out for w»
» Revisiting DSP
» The WHRB Wagner’s Ring C»
» The Dvorák’s Tone P»
» Bill Gaw: over 50 years »
» PCM63 DAC with Transform»
» Haniwa Cybernetic Audio »
» The BBC program about gr»
» A stunning Beethoven’s “»
» To buy an SACD Player?
» Null-set dipole butterfl»
» Commentary on Joe's »
» Tractrix Bass horn vs Sp»
» How to test 6C33C?
» Better DAW by a “second”»
» The contra-ridicules sol»
» 4-sale items
Bookmarked are red
Wolds Opera Broadcasts
Japanese's HiFiDo
Rachmanionoff's links
Nornan Lebrecht's blog
Opera America
Orchestra on Demand
Unofficial Vitavox Site
Sound Tourism
Direct Drive TT
Higherfi.com
High-Tech Hi-Fi
Phil Mundi Audio Pro Med»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Altec 515B bass drivers
Musatex’s Bidat Model "»
Vitavox AK-15/40 15" ba»
Purist Audio Design Pro»
Hillock TV-2 tube tester
Korvet “Egg” Tonearm
CEC TL-0 MK2 transport
Ortofon Mono CG 25 Di c»
Micro-Seiki Arm Board
Sansui TU-X1 Tuner
Tribute Output Amorphou»
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