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» Midrange driver suggesti»
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» I good spot-light for a »
» Playback and Perception »
» Single Ended Pentode to »
» Micro Seiki, tonearm,car»
» It looks like a simple q»
» Tube outputted CDP's and»
» Unexplained haunting exp»
» Dynamic range in histori»
» Another Boston Radio Sta»
» Ludwig van Beethoven &qu»
» FM and … cables…
» An air compressor and TT.
» Direct radiation in the »
» A need for Resolution /S»
» Rejection of non-natural»
» Expensive Audiophilism a»
» Practicality of paper ma»
» Midbass Horns and Real E»
» Charles Schlueter’s inte»
» Macondo: new horizons. A»
» Next week in Metropolita»
» Headphone amplifiers. Ba»
» Beware of the "dipo»
» Some kind of Grundig…
» The 5th horns in stack o»
» Film about Jacqueline du»
» Training amplifiers
» A very slow monolog abou»
» Recording options: Pacif»
» Basic guide to advanced »
» Remastering (and re-loca»
» Zander's new Masterclass
» Midbass impedance bumps »
» Relief from micro-arcing»
» Help: Building a Melquia»
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Tempo-Electric - Arthur »
Seen and Heard
Vladimir Lamm Site
Classical Composers
THL Audio
About FM Antennas
DaVinciAudio Labs
Direct Drive TT
Jogis Röhrenbude's Site
Joachim Raff Society
Marston Records
Overgrown Path
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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LF Transformer for 6C33C
SME M2 - 12" Tonearm wi»
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Musatex-TP Bidat 20-Bi»
Micro-Seiki Arm Board
Korvet “Egg” Tonearm
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Micro-Seiki air-suspend»
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