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» “Melquiades” amplifier: »
» Lecture on history of ar»
» Russian variant amplifier
» I have a dream, the drea»
» Scientific vs. audio act»
» HD Radio? Good, bad or u»
» Does horn surface porosi»
» Music and Arts of Americ»
» Real-time free and publi»
» An angry engineer...
» Open letter to WGBH.
» The Supernatural Josef H»
» Preamplifiers: keys to m»
» First order filtration a»
» Zander, BPO, George Li a»
» Antenna solutions for FM
» A ridicules speaker cable
» Dubbing LP to digital.
» Hideous American operas.
» Rachmaninoff PC 2: Conce»
» Dvorak Piano Quintet
» My new “New” listening r»
» Woofer cone materials an»
» Parts As Facilitators or»
» Tuners and digital noise»
» Contact-free volume cont»
» Building “Zarathustra II»
» Juana Zayas plays Chopin
» Pacific Microsonics Mode»
» What is it all about? De»
» Remote control, problems»
» Antenna diversity system»
» The concrete midbass hor»
» The sound of Concert Hal»
» Who inherit Mocondo or a»
» I need some advice and d»
» The best audio source EV»
» The 500-megawatt FM stat»
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Virtuosos Discographies
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Jammin' Jersey
The Gustav Mahler Board
Stereopal
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Rachmanionoff's links
Lockwood Audio
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Kenwood L-02T FM Tuner
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