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» The beauty of Cannibalis»
» Wide dispersion horns
» Okada’s installation.
» Tschaikowsky, [Violin] C»
» How we "think"»
» Rach’s Prelude in C-shar»
» Electrostatic tweeter fo»
» Ultimate Turntable?
» Here's what's REALLY wro»
» MacondoLite
» The corrupted listening »
» 3012, 312, M2-12 or ... ?
» Micro RX5000: is that be»
» Romy, how does the origi»
» Electrostatic Sub Horn
» Remedies the Beauty
» Analogue to digital conv»
» Macondo: new horizons. A»
» Inside views of "me»
» An air compressor and TT.
» Lecture on history of ar»
» Callas and Tebaldi Compa»
» The Edgarhorn RTA respon»
» Conchita Supervia
» Depicting and Visualizin»
» A slightly crazy idea fo»
» High Definition Tape Tra»
» Rachmaninoff, PC 3; Kond»
» About the tweeters phase»
» The benefits of ultra hi»
» Audiophile Re-issues: Wh»
» Bruckner, me and the Sev»
» Floor reflections
» When the stars aligned.
» $350.000 of audio-script»
» VTL TL-7.5 Reference: Hi»
» What would be left in au»
» Amplifiers heat… a real-»
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Silent Running Audio
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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a woman takes the podium a»
he wasn’t toscanini, but h»
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Dunstable, John ( appr. 1»
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Alnæs, Eyvind (29 Apr»
Berg, Alban (9 February 18»
Cassadó, Gaspar (30 S»
Geoffray, César (20 F»
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Herrmann, Bernard (29 June»
Kagel, Mauricio (24 Decemb»
van Vlijmen, Jan (11 Octob»
Larsen, Libby (24 December»
Jones, Michael (24 Decembe»
Rothman, Philip (24 Decemb»
Southall, Edward (24 Decem»
Vitavox 330Hz Horn for »
Koetsu Onyx Platinum Ca»
Micro Seiki RX-5000
Lamm L2 Reference pream»
Tribute Output Amorphou»
“Tree Blind Mice” colle»
Micro-Seiki Arm Board
Korvet “Egg” Tonearm
LF Transformer for 6C33C
Mid-range tantrix round»
Altec 515B bass drivers
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