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» Nanse Gum and his Euro-A»
» Amplification and Consci»
» Earl Geddes: Horny Book
» Kalinnikov’s First Symph»
» Audio Shopping vs. Piano»
» Lamm hybrids: M1.2 vs. L»
» Classic Artc Showcase St»
» Tonearm Alignment Method
» Justification of Buying »
» 834p modding..."hum»
» RDH20 Frame double horn »
» SET and speakers: disreg»
» Glorious HDMI Cable.
» Dialog with Industry Rain
» Van Cliburn Moscow 1958
» The High Resolution PCM »
» Maxim Vengerov: Encore i»
» The Sound and How We Hea»
» Ca(r)t before the horse:»
» Khatia Buniatishvili
» Copper Mat on a Micro Se»
» Riccardo Muti and Chicag»
» Lutoslawski Concerto for»
» How Piazzolla should sou»
» A different type of uppe»
» Loenid Kogan
» Rubinstein at Carnegie H»
» ... and some Bruckner bu»
» Russian Orthodox liturgy»
» Audio equipment vs. live»
» The many sounds of a City
Bookmarked are red
Aria Database
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Orchestra on Demand
Tchaikovsky's Compositio»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
All Active! A DSET and multi-way acoustic system. 6702 
DSET and multi-way as a pain in ass. 6671 
Taking it all together 6671 
DSET amplification from 1933 6540 
DSET with multi-way acoustic system might be a pain. 6414 
One of many advantages of multi-amping. 5519 
Ask Less, Get More? Good Enough 5518 
Transients 5517 
Sump 5517 
Transient effect and DSETs 5517 
Low -3dB 5516 
Bungee 5516 
Isolation of efforts – a great advantage. 5497 
Here is how multi-channel works 5336 
Hahaha 5336 
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