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The audio preview of the audio part of my Book

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Melquiades SET Amplifier
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End of Life Phonostage
Audio Demoronizator AD-1
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» The foolishness of multi»
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» Kharma Speakers as pH-in»
» Taking the mystery out o»
» Custom enclosure?
» How to build the best au»
» Universal VTA adjustment.
» Too damn loud?
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» Digi Redux; Drive 1 tran»
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» What is wrong there and »
» The funny Internet audio»
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» What drives good sound?
» Other Ways of getting Sp»
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» The global live televisi»
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Bookmarked are red
Graeme's Speaker DIY Pag»
Direct Heated Rob
Museatex
Wolds Opera Broadcasts
Greg Sando’s Site
The Victor Victrola Page
Ward Marston's "Marston"»
OboinaThor
Joachim Raff Society
Orchestra on Demand
The Leonard Cohen Files
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
The dynamic range of our playback 6934 
It must at least appear to be multi-faceted 6934 
Dynamics are related to intensity 4415 
Dynamic "Relativity" 4414 
Most music avoids large dynamic swings 4414 
Dynamics is not just differences in acoustic output 4414 
Simply micro vs macro dynamics 4414 
Back to the root 4414 
Air fencing 4414 
Sum of Differences 4414 
Orchestral music hard to capture 4414 
Recording Dynamics 4414 
Hard to know 4414 
I think dynamics “as is” is a wrong quantification for audio. 4413 
Choose your illusion 4413 
1:1 4413 
Beg to differ 4413 
Begging now to agree 4413 
The thing with 78s 4413 
Comfort zone 4412 
Hhmmm 4412 
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