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» The elusive “absolute to»
» My first audio show. Hmm»
» Klipsch Jubilee
» Melquiades: too early fo»
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» The nature of "soun»
» Solid State Bass – the m»
» Reflex enclosures used a»
» The WHRB’s Rimsky-Korsak»
» The “Melquiades” Sound -»
» Another "Top five t»
» Observations and Thought»
» 'Fundamental rich' liste»
» High End Audio and music»
» FM and live real-time br»
» The experiments with rem»
» Denouncing of idea of Ba»
» RMAF06 Show Report
» Chicago Horn Loudspeaker»
» Tanglewood 2010
» A revolution for Executi»
» New set-up causing major»
» Tightening to loosening »
» Playback and operation o»
» Harry Pearson new round »
» An interesting Russian p»
» Audio Covid and some hom»
» Pacific Microsonics Mode»
» Very in depth considerat»
» How to record FM broadca»
» Neat reminiscences from »
» Chord QBD76 - the new dac
» Midbass impedance bumps »
» Capturing live internet »
» DAC Recommendations
» Tanglewood Music Center »
» Moscode, Morecode, Moron»
» EMM Labs hits… the chick»
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ElecroVoice’s Vintage Pr»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 25 Handel’s Ariodante i»
APR 25 Pucicini: Gianni Sch»
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Sansui TU-X1 Tuner
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Micro-Seiki air-suspend»
Micro Seiki RX-5000
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Musatex-TP Bidat 20-Bi»
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Purist Audio Design Pro»
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