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» SME M2-12 tonearm
» A[nother] Cautionary Tal»
» My trip to the Stereophi»
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» The irony of playback ph»
» Planning my DSET
» About cost of electromag»
» Children's playground in»
» Single Driver speakers
» Two channels (tweeter an»
» The New York Philharmoni»
» Mercury Living Presence »
» Windows Based Transport:»
» Multi-amping crossoverin»
» Ravel Piano Concerto No2
» Red Violin Concerto
» The Free Intent Audio Jo»
» Mitigating Undesired Hig»
» Tweeters: the most misus»
» Appearance of listening »
» Earl Geddes: Horny Book
» Tossy Spivakovsky and Tc»
» The crossovering Messiah»
» Lamm’s new phonostage.
» Playback and Perception »
» Sound is like a proverbi»
» The stunning “The Magic »
» High-End Audio and.... &»
» Why I do not like La-hor»
» Prokofiev's cantata
» A big subwoofer vs. an a»
» Claude Perrier and his t»
» X-mas list
» Big room vs small room
» Reinforced live sound in»
» Conclusions on my Home a»
» Trading cable elevators »
» 60hz, GPA-515-8ghp horn.»
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Loudspeaker Designer's G»
Avie Records
Perer Gulmann's Classica»
Adnan Arduman's site.
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