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Romy the Cat has found another room. I’ve started a new fiction project under my name, Roman Bessnow. The new work is at MutationsBook.com

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Wilson Audio Autobiograp»
» Bruckner 9 live in 30 mi»
» Lamm introduced LL1 Sign»
» Temperature, Humidity an»
» My trip to the Stereophi»
» The last message of audi»
» 60hz, GPA-515-8ghp horn.»
» Two channels (tweeter an»
» Expectations in the conc»
» Macondo: new horizons. A»
» The commercial music ser»
» Wagner and loudness.
» Shopping for DSD Convert»
» Rakeshorns
» TAS article: start of th»
» Remembering Sound…
» A new beast from JBL: Ev»
» Haliaetus: Dick Cheney’s»
» About the thoughtfulness»
» Horns and digital crosso»
» Bruckner, me and the Sev»
» Audio and Music: four le»
» The contemporary pressin»
» How to train respect aud»
» Micro Seiki DD30 Headshe»
» How many channels does a»
» Micro Seiki RX-5000 Reco»
» Why David Robertson does»
» Tchaikovsky’s “Evgeny On»
» The not-so-big listening»
» Looking at the pictures »
» About DSET-driven multi-»
» More power from Melquiad»
» Not just another leather»
» The Sound and How We Hea»
» Despicable me
» A Moscow setup with Horn»
» DRU Tube for Melq’s HF c»
Bookmarked are red
Input Choke Calculator
Loudspeaker Designer's G»
The Well Tempered Comput»
StateWork Broadcast Reco»
Input Choke & Resonant C»
BostonSymphony's Channel
Russian Music in 20th Ce»
Plasma Tweeters Site
The Opera Critic
Classical Collections
JPC CD Store
DaVinciAudio Labs
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
Berlin, Bruckner 8 in May. 3476 
Block A is known to be the best 3470 
It should be fun... 3470 
2017 Brucknerian year! 3451 
When will it be? 3451 
19 and 20 of august 3451 
A good article from MusicWeb 2262 
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