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Available Blenders and S»
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Horns and digital crosso»
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Direct radiation in the »
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“They either adore me or»
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In Praise of Infidelity »
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Bruckner, Wind and the w»
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Nikolaj Znaider's play a»
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A horn workshop
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Metal domes
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Clean and polish gunmeta»
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Gospel, pop, jazz and co»
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A phenomenal find: Garvi»
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Music and Arts of Americ»
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Reel-to-Reel Tape vs. Ra»
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A primer on high-end mar»
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How does it sound?
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Winter storm & Casals
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How to get a LOT of SET »
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Entereing the "Desi»
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To move audio equipment »
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VTL TL-7.5 Reference: Hi»
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Today’s SACD - music for»
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"Seamless extended »
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Reinforced live sound in»
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Avantgarde Trio, Roy Gre»
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Okada’s installation.
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Interested in reading mo»
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Alfred Schnittke’s Gogol»
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The mystery of reversed »
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Impulse response, short »
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The new CEC TL1 transpor»
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Dreams about Audio
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Sonic consequences of re»
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Yamaha B-2 V-FET amplifi»
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Top Recordings of All Ti»
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Ghorbani&Hamdani sin»
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DSET phoned home?
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What would be left in au»
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Audio vs. Musical pitch
4020
The Narative, or The Thread, and Relative Pitch
4020
Some Sunday morning thoughts…
4018
Audio science
4018
Audio vs. sound vs. scale
4015
Single drivers??
4015
6 Trumpets
4015
Some midweek morning stimulation…
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Weakness and tuning
4015
Precisely Wrong
4015
Blow the trumpet up (or at least the overtones?)?
4015
Put That Way
4015
Micro linearity
4014
Unfortunately there is no "linearity" in music
4012
Micro
4012
Partially explained
3610
All scale notes are overtones
3610
Micro vs. Macro linearity: definition?
3609
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