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The audio preview of the audio part of my Book

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» The state of High-Effici»
» Lamm hybrids: M1.2 vs. L»
» What’s up with these gia»
» How Piazzolla should sou»
» Single Driver speakers
» Tuners and digital noise»
» Music and Arts of Americ»
» My Multi-way Horns
» First order filtration a»
» Beware of "Higher F»
» What drives your musical»
» More 6E5P-6C33C amps.
» The Home Theater thought»
» Gospel, pop, jazz and co»
» Power Supplym for driver»
» A weekend of treats by B»
» Chesky Records went &quo»
» Despicable me
» The differential diagnos»
» Thoughts from Clark John»
» Getting Started with Mya»
» The low-power SET and de»
» Micro Seiki RX-5000 Reco»
» About DSET-driven multi-»
» Why Hight-End Audio, as »
» About “strangeness” of A»
» Analog vs. Digital... wi»
» DIY LCR phono
» Starting from scratch - »
» A true High-End Audio
» Melquiadising other amp?
» Denouncing of idea of Ba»
» The Yevgeny Mravinsky Fi»
» About the thoughtfulness»
» Antenna diversity system»
» Has anyone ever seen the»
» Solid State Bass – the m»
» Playback and chamber mus»
Bookmarked are red
Linkwitz's "Laboratory"
The AHRC Research Centre
Museatex
Vincent Brient's Sit
The National Valve Museum
The Air This Week
Opera Collector Guide
Neal's Recordings
Good-Music-Guide
Music & Arts
Tchaikovsky's Compositio»
Olson Acoustical Book
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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6E6P-DR in triode mode 5494 
6E6P vs. D3A as driver. 5493 
6E6P-DR 5493 
Using the tube shield to study Wagner? 5493 
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