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Random Site's Threads
» Summer Refreshment; the »
» Orion Phono Preamplifier
» Music and WW3
» The fantastic Lucas Deba»
» DBT - a signature of lis»
» Digital crossovers self-»
» Expressive Technologies »
» A Cardboard Effect.
» For one day only
» SME M2-12 tonearm
» An amplifier for Tweeters
» Why Horn loaded systems?!
» The power AC Outlets?
» The most interesting hor»
» Crossover Design
» Single-stage Melquiades »
» NESPA Optical Disc Final»
» The ULF cannel for my ne»
» Could someone recommend »
» Winter storm & Casals
» Battling stupid Horn Cri»
» Building a new music room
» A right midbass solution»
» A random neutralness
» Andrew's new 4-way horn »
» Prices in High-End Audio.
» I wish I could speak Ger»
» The Church of Denon 103C
» Macondo – Super Melquiad»
» The WHRB’s Orgies period.
» Recording options: Pacif»
» Beware of the monophonic»
» An air compressor and TT.
» About destiny of “High-E»
» Panel with Peter Qvortru»
» Charles Schlueter’s inte»
» Audio system: my path to»
» Pham Thanh Cuong's playb»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
Listening rooms and composers. 5814 
Rooms can serve music or composers 5813 
Many hypotheses avalabvle…. 5813 
Rooms and Composers 5813 
A perfect summation, not I it nice to dig into reasons 5813 
Longitudinal Well-Tempered Klavier 5812 
The typewriters concertos! 5812 
Glenn Gould Explains Room's Effects 5799 
This is very interesting subject: the cure of audio anti-Brucknerism 5799 
Is This Something You'd Like to Change? 5799 
Size Deficiency and Lack of Interest (musically, of course) 5798 
Mid-bass Deficiency? 5798 
The Dreaded Square Room 5798 
Bruckner as the final test 5796 
About regular listening vs. The Listening. 5795 
On "typewriter music". 5793 
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My Audio Leftovers
Micro-Seiki Arm Board
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LF Transformer for 6C33C
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Altec 808A compression »
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