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» A very slow monolog abou»
» Educate yourself WHY you»
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» $350.000 of audio-script»
» Aimez-vous Bartók?
» Copper Mat on a Micro Se»
» Passive line level cross»
» About DSET-driven multi-»
» A Moscow setup with Horn»
» Macondo’s lowest channel.
» Kalinnikov’s First Symph»
» About dymick sparkling.
» How much does it cost to»
» Bid Midbass Asian Horns
» Rejection of non-natural»
» RMAF06 Show Report
» Prom 22 - if only all or»
» GM70 vs. 6C33C
» The state of High-Effici»
» Van den Hul famous FAQ c»
» My Audio Philosophy
» Shelter 901 on SME 309 t»
» Looking for something di»
» Another light for the LS»
» Superbly interesting eff»
» The high-end audio, as i»
» Steve Leung, Cartridge W»
» Two-stages, hybrid, smal»
» Bliss
» Der Ring Des Nibelungen »
» Thinking about Bruckner »
» A perfect "High-End»
» How to start Classical M»
» Boston Philharmonic Mahl»
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» Copland/BSO/Copland
» The Shelter 90X: mystery»
» High-end audio: Absolute»
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Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
Saying goodbye to the digital crossover. 5679 
PLLXO 5678 
Use RL filters instead of RC filters. 5678 
RL filters and AA 5678 
DBX and delay. 5678 
I fear... the end is near 5677 
Matching pre to multiple power amps 5677 
Speaker topology 5675 
Diffraction type horn 5675 
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