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The audio preview of the audio part of my Book

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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» This new midbass horn di»
» How to listen High-End A»
» Mid Bass horns help with»
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» Macondo – Super Melquiad»
» October surprise. NY, NY»
» Ca(r)t before the horse:»
» Yamamura's 6 ways
» Off-the-wall playback or»
» From bad Opera to good O»
» Boxed in horns
» A tube tuner? REL Preced»
» Boston and Liszt’s Secon»
» Artificial Phases Random»
» FM and … cables…
» John Cage about silence »
» Super Melquiades Amplifi»
» I have a dream, the drea»
» How Piazzolla should sou»
» November to remember… an»
» Fantasies about 10Y
» And a Bruckner 8 the day»
» The Loudspeaker (Troels »
» SME M2-12 tonearm
» Graphene for Audio
» The Absolute Sound of Au»
» Some Orchestra on Demand»
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» Long time due: Digital P»
» The best album of 2005 s»
» The Studio AU projects.
» Could someone recommend »
» Don’t "use" VTA
» Does Reference Recording»
» To move audio equipment »
» Another "Top five t»
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Doremi CD label
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
AMR PH-77: just another phonostage or more? 6232 
A rare noble behavior from a manufacturer! 6232 
Finally, Features that Really Matter 6232 
Phonostages and noise. 6232 
The self-tunable auto-RIAA? 6228 
Narrowing It Down 6228 
The Practical Applications, Already... 6219 
The PH-77’s curves selector is done properly. 6219 
The Right Kind of Shaping 6218 
Taking a Few for the Team 6218 
My views about PH-77 phonostage 6218 
Oh, yeah... the sound of the Thing Itself... 6218 
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