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» 7788 tube mic pre design
» Goodbye to EMI?
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» Prokofiev Classical Symp»
» Smetana's Piano Trio
» Balanchine’s “Pathetique”
» 3 ways how I listen to m»
» Problems with horns: mid»
» The BSO and Digital Musi»
» Hässler sonata: Gra»
» A different breed of 6C3»
» A request to all posters»
» Bruckner 8, WDR and Manf»
» The sound of Concert Hal»
» A Frankenstein Macondo -»
» Vitavox’s S2 Survival Gu»
» A great OPT resource page
» Replacing 802 G and 811 »
» DIY multicellular horn
» Class “D” – the industry»
» The unintended consequen»
» About Single Driver Spea»
» Sub-woofer integration w»
» Single-stage Melquiades »
» “Hearing Modernity” at H»
» The Ridiculous Japa-Braz»
» Audio Note new turntable»
» About the DAW playback s»
» Wharfedale Super 12/RS/D»
» How playing an instrumen»
» Chopin's Waltzes, Witold»
» Focal-Jmlab – the Utopia»
» Hungarian folded horn
» ESS Connoisseur: a sensi»
» Tannoy Red or Gold monit»
» Burn any single-driver s»
» BBC: Composer of the Wee»
» Le Poeme Harmonique
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Glenn Gould Audio Archiv»
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The Bruckner Discography
Subito-Cantabile
Audio Perfectionist
Russian Records
Tuners Stereo Surgeons
Perer Gulmann's Classica»
Female Composers Site
WGBH's “Keeping Score”
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Recording Technology His»
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