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» The Evolution (or Anti-E»
» Dvorak Piano Quintet
» In interesting new compa»
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» The BSO and Digital Musi»
» Alternative driver for W»
» The 6E5P tube data.
» Graphene for Audio
» World's Finest Sounding »
» Expressive Technologies »
» New Horn Speaker Manufac»
» How Well Shall a CD Tran»
» About High-End Audio for»
» FM and … cables…
» 'Ideal' ceiling height? »
» The John Barbirolli’s wi»
» Andre Previn in Boston.
» Starting from scratch - »
» Schroder Tonearms
» Make Your Own Horns
» Avantgarde Trio G3 Louds»
» Audio Cost
» About the tweeters phase»
» Here is my new tonearm.
» DVD for pop, SACD for cl»
» Yet another Gould box se»
» The concrete midbass hor»
» Electro-Voice Tweeter an»
» German Odeon horns.
» The ridicules naming of »
» Swell New RIAA-Only Phon»
» 3012 silicon dumping
» “How audio might sound”
» Romy The Cat's new Liste»
» Moscode, Morecode, Moron»
» A book about Loudspeaker»
» I am thinking about anim»
» Montreal audio show phot»
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The Music Parlour.
The Soul of Sound
NPR's SymphonyCast
Vladimir Lamm Site
Tchaikovsky's Compositio»
AudioTools
Vintage EV speakers
Dan Lavry's Forum
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 In Search of New Wor»
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Purist Audio Design Pro»
Kenwood L-02T FM Tuner
Lamm ML-2 Single-Ended »
Altec 808A compression »
Ortofon Mono CG 25 Di c»
Vitavox AK-15/40 15" ba»
“Tree Blind Mice” colle»
Vitavox AK151 15" bass »
Fane Studio 8 dual conc»
Pacific Microsonics Mod»
Micro-Seiki Arm Board
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