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End of Life Phonostage
Audio Demoronizator AD-1
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» DVD for pop, SACD for cl»
» 100V vs 120V
» Expectations in the conc»
» What, no Mahler?
» The 68 dipoles imitation»
» Roger Waters' Ça Ir»
» How to sell high-end aud»
» Midbass impedance bumps »
» The real goals of sound »
» Do not reproduce extreme»
» About DSET-driven multi-»
» Just-Sound of Audio vs. »
» What to do in office?
» A contemporary AD1 Triod»
» Macondo Horns: biography.
» Another (outdoorsy) swea»
» "Consensus in audio»
» My horn speakers system.»
» Best streaming service 2»
» Levels of High End Audio»
» Earl Geddes: Horny Book
» Shaky tubes, echo testing
» Metal domes
» Marantz MA-9S2 Monoblock»
» The single-stage Milq an»
» Romance, Food & Mahl»
» The Active High Frequenc»
» My trip to the Stereophi»
» Help to identify the LF »
» Plugin for drawing segme»
» The Brain Inertia.
» The pianist Yuja Wang … »
» Bruckner, me and the Sev»
» BW Broadcast RBRX Encore»
» ... and some Bruckner bu»
» Tomorrow in Boston: Yout»
» Boulez' LF-Injected Vers»
» An air compressor and TT.
Bookmarked are red
Irvington Music
Phil Mundi Audio Pro Med»
The Tape Project
John Lenard Burnett's si»
Club Abbadiani Itineranti
Western Electric manuals
Dr. Bruce Edgar Interview
ClassicalNet
Olson Acoustical Book
The Gustav Mahler Board
The Thiele-Small Loudspe»
WGBH alumni
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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