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» The bizarre magnetized 6»
» Cooperation for the comm»
» About moronity of DIY Au»
» The “Melquiades” Sound -»
» Integrated sound field o»
» The Color of Bass
» A Very Nice "Eroica»
» I do not even know where»
» Problems with horns: upp»
» Milq: Starting the proje»
» Battling stupid Horn Cri»
» 6C33C myths: audio Moron»
» Used car salesman as a d»
» NOhorn channel for “the »
» Micro RX 5000
» About digital files and »
» My playback can’t play l»
» The mystery of reversed »
» Lavardin discovery
» Story of my discovery - »
» Arsenic bacteria & G»
» Hiroyasu Kondo: “My thou»
» WGBH Opera Bash 2009
» The short "6C33C Su»
» Don't position speakers »
» A great conductor - but »
» Romy's Multi-cell Horns »
» The experiments with rem»
» The Home Theater thought»
» Rachmaninoff PC 2: Conce»
» Pro Audio: JBL SR-4735X
» Macondo’s MiniMe or abou»
» Mozart, Piano Concerto i»
» There is Bruckner and th»
» About the DAW playback s»
» Tweeter for Vitavox S2. »
» Grid bias power supplies
» Why horn-loaded loudspea»
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Michelangeli Discography
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Direct Drive TT
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Alexander Karpov’s “Next»
Ward Marston's "Marston"»
Doremi CD label
ECC99 - 6C33C SET
Qualiton
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APR 11 Benjamin Zander, con»
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