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» Sensible record cleaning»
» Monitors: Wishful thinki»
» Some analysis of the Joe»
» The 68 dipoles imitation»
» Help: Building a Melquia»
» Another time aligned 5-w»
» The experiments with rem»
» June in Boston with Earl»
» Professional sound syste»
» Brahms PC #1, Philharmon»
» Harmonies for Bosch’s Ga»
» Entry level DSET Melq?
» Memory Player Box?
» 100V vs 120V
» Buzz/Kill, and The Most »
» Tonality versus Frequenc»
» Cobbett
» My playback’s sound vs. »
» Electrostatic Sub Horn
» Computer Audio
» Hiroyasu Kondo: “My thou»
» Music and WW3
» The K&K SE hybrid ph»
» Shaky tubes, echo testing
» A new strange but predic»
» Radio Stations Harmonize»
» Custom enclosure?
» Reel Machines :-O
» Upcoming Bruckner 4
» About Harry Pearson lega»
» A quests for an ultimate»
» High-End Audio and ... p»
» About EAR 834P Modificat»
» Magico: Robert Harley’s »
» Revisiting DSP
» Rach’s Prelude in C-shar»
» Musicians' ear
» Recording options: Pacif»
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FM Radio Query
BuyWell Australia's Clas»
Linkwitz's "Laboratory"
Musical Musings
The Leonard Cohen Files
Twogoodears' Blog
Martha Argerich Site
Art Songs and Librettos
Piano Wizard
AudioTools
Koussevitzky & BSO
Tonal tests
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Micro Seiki RX-5000
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