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» Phase plug for midbass
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» Bye-Bye Reel
» Truth stretched out via »
» Thinking about Bruckner »
» Nothing to read.
» Macondo's Axioms: Horn-l»
» Where high-end audio sta»
» 8" Goto Woofer for »
» Beware of the "dipo»
» Getting more power from »
» Why GOTO do not care abo»
» The need for a balanced »
» Multi-amping crossoverin»
» Bill Gaw: over 50 years »
» TOA monster sized compre»
» Denon 103: myths and the»
» 5 way system in the UK
» What to read in audio?
» High Definition Tape Tra»
» Crossover Design
» The ultimate cancer of a»
» Another interesting corr»
» New old records shopping
» The Krell’s cursed Sound»
» Chasing utopian better p»
» Think how a playback com»
» Make Your Own Horns
» A true nature of audioph»
» How to start Classical M»
» Professional sound syste»
» Zander's new Masterclass
» Low output MC?
» A listening room for a d»
» Alessandro Baricco's &qu»
Bookmarked are red
Austria's Musical Exiles
Tuner Information Center
Marston Records
Boston Philharmonic Orch»
Robert Greene’s "Reg on »
GedLee loudspeakers
Classical Recordings New»
Lockwood Audio
Rachmanionoff's links
MetManiac Opera Archive
Max Robinson’s “Fun With»
ElecroVoice’s Vintage Pr»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 In Search of New Wor»
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Lamm ML-2 Single-Ended »
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Kenwood L-02T FM Tuner
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