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» Maxim Vengerov: Encore i»
» Neat reminiscences from »
» Bach's performing space.
» Proximity of horn’s cros»
» What to read in audio?
» Output transformer for b»
» Nothing to read.
» Tanglewood's 75th annive»
» Beethoven IX and Fü»
» Electrostatic Sub Horn
» Hans Zenders’ orchestrat»
» Samuel Feinberg's Well-T»
» A longer CD-Rom cable.
» Lamm L1 vs. L2 preamp
» A “pocket version” of Br»
» Berlin, Bruckner 8 in Ma»
» Conductors and Audio Sou»
» Michelin horns
» Impossibility of commerc»
» Conclusions on my Home a»
» A listening room for a d»
» Credibility of digital i»
» Help to identify the LF »
» Garg wants more horns.
» RMAF06 Show Report
» Audiophiles are Happy or»
» Prokofiev Classical Symp»
» 4-way horn system Prelude
» Sound Quality and “Elect»
» Custom made woofers.
» DAW drives configuration»
» Some Observations about »
» My Koshka is meowing
» Panel with Peter Qvortru»
» Here's what's REALLY wro»
» Western Electric reprodu»
» Earl Geddes: Horny Book
» My Audio Philosophy
Bookmarked are red
Spinning Dog Records
Higherfi.com
Exponential/Hyperbolic C»
Western Electric manuals
Loudspeaker Designer's G»
Aria Database
John Lenard Burnett's si»
Stereopal
WGBH's “Keeping Score”
Russian Records
All Tube Testers
Thunderstone Audio Websi»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 In Search of New Wor»
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LF Transformer for 6C33C
Vitavox S2/S3 diaphragms
Musatex-TP Bidat 20-Bi»
REL Precedent 646C tuner
Mid-range tantrix round»
Electro-Voice T350 twee»
Altec 515B bass drivers
Sansui TU-X1 Tuner
Micro Seiki RX-5000
Rohde & Schwarz EU-6201»
Micro-Seiki MAX-282 To»
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