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» Pacific Microsonics Mode»
» Macondo’s Midbass Projec»
» The ultimate cancer of a»
» Yep, Bach would do it….
» Auro, reverb injection, »
» Ludwig van Beethoven &qu»
» Crash course on horns an»
» Another interesting corr»
» Phoenix
» Why I do not like the &q»
» About the life-expectanc»
» Arranging my records col»
» Phase plug for midbass
» The 5th horns in stack o»
» Electrovoice t350 repair»
» Vitavox S2 with Electrom»
» Turntable Design
» A new generation of full»
» High Quality Music Serve»
» Oliver Sacks' "Musi»
» Electronluv systems ques»
» The cut or not to cut, t»
» 12AX7 or?
» Digital Voicing
» “How audio might sound”
» High-End Audio, DPoLS -»
» About dymick sparkling.
» The leather-suspended dr»
» I wish I could speak Ger»
» Lampizator horn
» To buy an SACD Player?
» Anyone Care to Make Odds»
» I can't wait to read the»
» Srajan Ebaen and Juicy-C»
» About the tweeters phase»
» Real-time free and publi»
» To Rip or not to Rip.
» The best speaker in the »
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Tonal tests
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BachTrack
The Victor Victrola Page
Austria's Musical Exiles
Radio-Locator
Dazy Web Labaratory
Spinning Dog Records
Orchestra of the Age of »
Glenn Gould Audio Archiv»
Neal's Recordings
Michelangeli Discography
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
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Sansui TU-X1 Tuner
Stage Acompany SA8535 d»
Fane Studio 8 dual conc»
Micro-Seiki air-suspend»
CEC TL-0 MK2 transport
Korvet “Egg” Tonearm
Rohde & Schwarz EU-6201»
Lamm Industries M1.1 Mo»
Lamm ML-2 Single-Ended »
Vitavox 330Hz Horn for »
Altec 515B bass drivers
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