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Random Site's Threads
» Audio Quality Matters in»
» The mystery of reversed »
» Too damn loud?
» About playback and messa»
» Getting more power from »
» Class “D” – the industry»
» Today’s SACD - music for»
» “Harmonic Speed”- friend»
» To play my 88/24 files o»
» Disregard Digital with V»
» Any recommendations?... »
» About speakers Imbedded »
» Anybody building or usin»
» Some Horns propaganda
» Kharma Speakers as pH-in»
» Expectations in the conc»
» About beauty and uglines»
» Wagner and loudness.
» Records Box Stuffing
» Thank you, Sir! May I ha»
» Dream Hi-Eff Speakers fo»
» Any South/Latin American»
» Oliver Sacks' "Musi»
» The Extraordinary Harvar»
» The ways to delay horns »
» Satellite radio
» Bruckner Ninth and the W»
» Balance
» About the Critical Audio»
» 47 Lab new turntable and»
» Goodbye to EMI?
» Mr. Kleen Stylus cleaner
» Sound is like a proverbi»
» The commercial music ser»
» Antenna attenuator – you»
» Critique audio performan»
» Bruckner at 24bit.
» Music reviews are writte»
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Classical events in Boston
APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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NPR Classical Programs
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he wasn’t toscanini, but h»
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Composer's Anniversaries
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My Audio Leftovers
ESS AMT-1A Heil Air Mot»
Ortofon Mono CG 25 Di c»
Electro-Voice T350 twee»
Altec 808A compression »
Micro-Seiki air-suspend»
Lamm ML-2 Single-Ended »
Mid-range tantrix round»
CEC TL-0 MK2 transport
Purist Audio Design Pro»
Lamm Industries M1.1 Mo»
“Tree Blind Mice” colle»
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