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» The Nationals Anthems
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» Rightsizing from extreme»
» A great production of th»
» A response to David Hurv»
» How we "think"»
» Analogue to digital conv»
» Tweeters for Altec 420y »
» Tchaikovsky: Symphony No»
» Small double bass horn f»
» Think ahead how to measu»
» Compression drivers saga
» What drives your musical»
» Playback and operation o»
» Time Alignment : Live Pe»
» The Norman Lebrecht’s ar»
» Buzz/Kill, and The Most »
» Semi-Interesting film fr»
» Direct radiation in the »
» About DSET-driven multi-»
» Resonating hi from overs»
» "SOTA Technology&qu»
» Swing hornspeaker of bd-»
» Crossover or non-crossov»
» Bach's performing space.
» Playing bad recordings u»
» How to sell high-end aud»
» Bruckner Ninth and the W»
» Allnic Verito MC Phono C»
» Discovered a great chora»
» Trinnov amplitude and im»
» Just-Sound of Audio vs. »
» Okada’s installation.
» Sound of Ehernet cables?
» Macondo copying: Horns t»
» The Saudi Arabia and Uni»
» "Something is rotte»
» Beware of the "dipo»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Micro Seiki RX-5000
Pacific Microsonics Mod»
Korvet “Egg” Tonearm
Mid-range tantrix round»
REL Precedent 646C tuner
Fane Studio 8 dual conc»
Electro-Voice T350 twee»
Rohde & Schwarz MSDC Mu»
Altec 515B bass drivers
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