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» Macondo listening experi»
» John Curl’s new phonosta»
» Lowther Driver
» William Kapell legacy an»
» Ways to use audio method»
» Digital Voicing
» Dunlavy SC++ loudspeaker»
» A strange urge.
» Dual channel SET
» Interview with Daniel We»
» Terminal Velocity? Smart»
» Metropolitan Opera 2009-»
» John Cage about silence »
» A full-range quality-tri»
» Dannoy and oxytocin...
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» BiDat: One more output
» S2 Hissing Sound
» The "artificially&q»
» Ode to joy
» An amplifier for Tweeters
» Building a new music room
» How to evaluate playback»
» Tweeters: the most misus»
» Bach and kids…
» Earl Geddes: I can't her»
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Classical events in Boston
APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
NPR Classical Programs
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cellist lynn harrell has di»
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a woman takes the podium a»
he wasn’t toscanini, but h»
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another trump blunder»
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the lost pianos of siberia»
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Composer's Anniversaries
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Martín y Soler, Vicen»
Schmidt, Franz (22 Decembe»
Jewell, Fred (28 May 1875-»
Dalle Ave, Michel (11 Febr»
Vlahek, Bruno (11 February»
My Audio Leftovers
ESS AMT-1A Heil Air Mot»
CEC TL-0 MK2 transport
Vitavox S2 Compression »
Hillock TV-2 tube tester
Kenwood L-02T FM Tuner
Tribute Output Amorphou»
REL Precedent 646C tuner
Altec 515B bass drivers
Micro-Seiki Arm Board
Conscience of audio rev»
Stage Acompany SA8535 d»
More Leftovers »»