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» I think it is the end.
» A great OPT resource page
» Do the Filament Transfor»
» Tannoy Red or Gold monit»
» Romy...thoughts on Lamm »
» High-End Audio vs. High-»
» Electronluv systems ques»
» Too damn loud?
» The 'nature' of said rea»
» Paganini's Daemon : A Mo»
» The Evolution (or Anti-E»
» Horn length/expansion/gr»
» Multi-amping crossoverin»
» RIP Henryk Mikolaj G»
» Beware of the "dipo»
» Get, or made up a tube t»
» Levels of High End Audio»
» Dream Hi-Eff Speakers fo»
» Problems with horns: upp»
» Anybody building or usin»
» Can a ultimate playback »
» Closer to the musicians »
» The “guest musician opin»
» Maria Callas’s Glory Day»
» Custom enclosure?
» Soundsmith’s analog idea»
» Shi-Yeon Sung and BSO
» Seven hours of live musi»
» Kevin Brooks Acoustic Sy»
» How to mitigate the expe»
» Contributing factors in »
» We don’t necessarily kno»
» Unexplained haunting exp»
» What is High-End Audio?
» Weber’s "Andante e »
» Music in the Sound: a mo»
» K2HD -yet, another CD fo»
» A better way of approach»
Bookmarked are red
The Bruckner Discography
Musical Musings
BuyWell Australia's Clas»
Koussevitzky & BSO
BostonSymphony's Channel
Hughs Ominous Tubes
Audiofederation's Blog
Exponential/Hyperbolic C»
Ward Marston's "Marston"»
Austria's Musical Exiles
The Handelmania Podcast
Good-Music-Guide
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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