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» Artificial Phases Random»
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» Digital crossovers self-»
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» MTT’s Mahler at 180 ghra»
» A littlie D-War: Bidat v»
» Satisfying result: the R»
» Do not pursue full-range»
» The Opera Room
» BSO and 192kps
» It's might be anothe»
» George Orwell and loudsp»
» SME M2-12 tonearm
» The “Dead Points of Live»
» About Single Driver Spea»
» Kloss 5-way horns setup.
» Floor reflections
» Srajan, 6Moons, sex indu»
» Some analysis of the Joe»
» HELP on a Custom 3 Way H»
» Audio Sonar Acoustic Lev»
» Upperbass horns – tone v»
» Tubas and Mc-step
» Silicone gel damping?
» RMAF 2008 observations, »
» Our Fuzzy Pussies, Audio»
» Andrew's new 4-way horn »
» “Why horns”, years later.
» Analog is Back 2011: Wav»
» Some conical horns anti-»
» Tell me about more about»
» The ridicules naming of »
» The "anecdotal"»
» Macondo – Super Melquiad»
» Parts As Facilitators or»
» What Passes for "Sp»
» Making musical instrumen»
Bookmarked are red
Nubes Partem
VIP Records
The Music Parlour
GEMM catalog
Louis Speichler's Records
Irvington Music
Classic Artc Showcase
Elliott Sound Products
Tchaikovsky's Compositio»
Opera America
OboinaThor
Joachim Raff Society
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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CEC TL-0 MK2 transport
Micro Seiki RX-5000
Korvet “Egg” Tonearm
Hillock TV-2 tube tester
“Tree Blind Mice” colle»
Micro-Seiki MAX-282 To»
Conscience of audio rev»
Lamm Industries M1.1 Mo»
SME M2 - 12" Tonearm wi»
REL Precedent 646C tuner
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