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» Audio system: my path to»
» Maria Callas’s Glory Day»
» Avantgarde Trio, Roy Gre»
» Romy's Multi-cell Horns »
» A longer turntable belt.
» Valve Technology Timeline
» The “Implied Sound” in A»
» A request to all posters»
» Designing and building a»
» Remedies the Beauty
» RMAF06 Show Report
» RMAF 2008 observations, »
» I built this device
» Klipsch Jubilee horn
» Violin Concertos
» X-mas list
» Playing music for visito»
» Chopin's Waltzes, Witold»
» The “Melquíades” d&»
» The loudspeakers for a p»
» Okada’s installation.
» About Moronism in Audio
» DIY Void acoustics Air m»
» High-End Audio and ... c»
» Horns and digital crosso»
» CES – constant but fortu»
» Tchaikovsky’s “Pathetiqu»
» Schroder Tonearms
» My new “New” listening r»
» "Not So Sweet Spot&»
» Bruckner 8, the document»
» Rhapsody for Tape Record»
» After-concert download –»
» Practical Guide for Back»
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» Jaap van Zweden kicks as»
» New bottlehead dac
» Playback journeys and Mu»
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Classical events in Boston
APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
NPR Classical Programs
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a woman takes the podium a»
he wasn’t toscanini, but h»
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Bernal-Jiménez, Migue»
Corigliano, John (16 Febru»
My Audio Leftovers
Electro-Voice T350 twee»
Vitavox S2/S3 diaphragms
Vitavox AK151 15" bass »
“Tree Blind Mice” colle»
Altec 808A compression »
SME M2 - 12" Tonearm wi»
Fane Studio 8 dual conc»
Altec 515B bass drivers
Musatex-TP Bidat 20-Bi»
Lamm Industries M1.1 Mo»
Micro Seiki RX-5000
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