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» I am not a Nostradamus, »
» The 5-ways from Germany.
» Nothing Is Perfect
» How to play Mahler 7 at »
» Artificial Phases Random»
» Beethoven IX and Fü»
» Another "Top five t»
» The irony of playback ph»
» 3.5m Tractrix Horn Proje»
» The “Dead Points of Live»
» The Ralf Stegmueller’s h»
» We do not have an audio »
» Life 3.0
» Say “no” to the light to»
» My Audio "Reviewing»
» FM Acoustics: The most i»
» Don't evaluate audio by »
» 47 Lab new turntable and»
» High-End Audio Topologie»
» Time Alignment : Live Pe»
» About DSET-driven multi-»
» Do not buy CDs mastered »
» How to give bats a heada»
» Tossy Spivakovsky and Tc»
» The optimum Sampling Rat»
» Horn speaker with dipole»
» Truly a new use of high-»
» Goodbye to EMI?
» What I am doing?
» Boxed in horns
» Yo-yo Ma live on the int»
» An idea of Individual Re»
» Audio-tekne's "Tone»
» Rightsizing from extreme»
» Designing and building a»
» Walter conducting Vienna»
» Contact-free volume cont»
» My playback’s sound vs. »
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The Music Parlour.
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Spinning Dog Records
Virtuosos Discographies
Carlos Kleiber List
High-End Audio
Toccata Classics
Qualiton
Norman Lebrecht's blog
Tube World
Tchaikovsky-Research.
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
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APR 17 In Search of New Wor»
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Ortofon Mono CG 25 Di c»
CEC TL-0 MK2 transport
“Tree Blind Mice” colle»
Korvet “Egg” Tonearm
Micro-Seiki Arm Board
Stage Acompany SA8535 d»
Mid-range tantrix round»
Hillock TV-2 tube tester
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Vitavox AK-15/40 15" ba»
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