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» George Orwell and loudsp»
» Horn speaker with dipole»
» Interesting diffuser sof»
» Bruckner 8, the document»
» Paradoxes of my Racism.
» Bass impact on Turntable»
» Bose SoundDock Devil Mac»
» Problems with horns: mid»
» To move audio equipment »
» About Harry Pearson lega»
» Smyth Research Realiser »
» Furtwangler War Years Re»
» Tubas and Mc-step
» About the pre-warming of»
» “Why horns”, years later.
» Initial thoughts about n»
» A great article from Pet»
» Bravo, Stereophile: Adve»
» The New sound of London »
» 6C33C myths: audio Moron»
» TAS article: start of th»
» The SACD and the Windows»
» What is High-End Audio, »
» The industry-embraced au»
» The Krell’s cursed Sound»
» DIY LCR phono
» An ultimate horn profile?
» Inside views of "me»
» Custom UPS.
» Expressive Technologies »
» How to play Bruckner Sou»
» Nice pair of S2s on eBay»
» I built this device
» Help: Building a Melquia»
» Do curved corners help???
» Back chamber
» Dvorak Piano Quintet
» Tokyo (Akihabra) Audio a»
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Overgrown Path
Hi-Fi Speakers Design
Thunderstone Audio Websi»
Opera Collector Guide
Dazy Web Labaratory
Rachmanionoff's links
Joachim Raff Society
Soviet Composers
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Hillock TV-2 tube tester
SME M2 - 12" Tonearm wi»
“Tree Blind Mice” colle»
Electro-Voice T350 twee»
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CEC TL-0 MK2 transport
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LF Transformer for 6C33C
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