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» About DSET-driven multi-»
» About Timbre and Audio.
» Ravel's Piano Trio; Rubi»
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» My (Amplification + Acou»
» DSET phoned home?
» MDTunes™ from SoundLab l»
» SME M2
» Dialog with Industry Rain
» Yamaha B-2 V-FET amplifi»
» The Estonian idiocy: Est»
» Earl Geddes: I can't her»
» Vendors’ Egos.
» 6C41C – the journey to n»
» Charles Schlueter’s inte»
» The realty of UHF and LF»
» Bruckner 8, WDR and Manf»
» Kitties go to London
» First Order on Bass chan»
» Emmerich Kalman (1882-19»
» Playback and chamber mus»
» Suggested target curves »
» Idea of a 3way horn syst»
» Problems with horns: upp»
» Anybody using vacuum hol»
» Tanglewood 2010
» Ghorbani&Hamdani sin»
» How to select mid/upper »
» Yamaha 6681B
» CATS Purring tempo, slid»
» The essence of High-End »
» How difficult is it to a»
» Wilson Audio and the Moo»
» The "new" Shos»
» About cost of electromag»
» “Get Better Sound” by Ji»
» 1st Guitar Thread
» Grid bias power supplies
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ElecroVoice’s Vintage Pr»
Radiotron Designers Hand»
MetManiac Opera Archive
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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c.p.e. bach: mercurial dive»
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julian bream, maestro of g»
a woman takes the podium a»
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another trump blunder»
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it’s (almost) business as »
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Schenk, Johann Baptist (30»
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Altec 515B bass drivers
Pacific Microsonics Mod»
Vitavox AK-15/40 15" ba»
Micro Seiki RX-5000
Vitavox AK151 15" bass »
“Tree Blind Mice” colle»
Mid-range tantrix round»
Micro-Seiki MAX-282 To»
CEC TL-0 MK2 transport
Purist Audio Design Pro»
Kenwood L-02T FM Tuner
More Leftovers »»