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» Constant directivity = c»
» Problems with horns: mid»
» The Silence of the Lamms!
» A passive but elegant pr»
» Micro RX 5000
» The Melquiades bass chan»
» Long Range Acoustic Devi»
» Bruckner 9, Transcriptio»
» Closer to the musicians »
» Chopin's Waltzes, Witold»
» European Triode Festival»
» Playback and operation o»
» An educational Eugenie’s»
» One of the Best Mozart R»
» Disregard the industry p»
» "Consensus in audio»
» TOA monster sized compre»
» Audiotism: cable elevato»
» Matching Playback Method»
» Make Your Own Horns
» Tossy Spivakovsky and Tc»
» About DSET-driven multi-»
» How to evaluate playback»
» The Hand Clapping by Fra»
» The CES 2005
» The beauty of Cannibalis»
» Course & guide on ho»
» To Milq builders: correc»
» Contributing factors in »
» American National Record»
» Audio system: my path to»
» Hørning prøble»
» What’s up with these gia»
» Stop having a fear of ho»
» Okada’s installation.
» SCAM! Horn - Academy Phi»
» The Verklarte Nacht with»
» Live memories of Live br»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 In Search of New Wor»
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