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» Planning my DSET
» Integrated sound field o»
» About the tweeters phase»
» Some Audiogon realty
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» MacondoLite
» Artificial Phases Random»
» Perception of bass?
» The Estonian idiocy: Est»
» First Bruckner listening»
» The tools to listening s»
» Some Horns propaganda
» Silicone gel damping?
» RDANA - about banning no»
» If you are in Bruckner: »
» Hans Vonk Legacy
» Music and WW3
» EnABL: Just a note to aw»
» Oistrakh(s) on Monitor M»
» Playing bad recordings u»
» EMM Labs hits… the chick»
» Tchaikovsky’s “Evgeny On»
» Oppo DVD player as a tra»
» Boulez' LF-Injected Vers»
» George Orwell and loudsp»
» Altec A2
» Say “no” to the light to»
» A good young conductor: »
» How to select mid/upper »
» Digital crossovers self-»
» High-End Audio: buy vs. »
» The road to less dummine»
» The nature of "soun»
» High-End Audio Topologie»
» High-End Audio and..... »
» How to mitigate the expe»
» A proper implementation »
» Single Driver speakers
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Classical Collections
Virtuosos Discographies
Doremi CD label
Soviet Composers
Recording Technology His»
Orchestra of the Age of »
Input Choke & Resonant C»
WGBH's “Keeping Score”
The Opera Critic
Hughs Ominous Tubes
Louis Speichler's Records
GedLee loudspeakers
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
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