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» A full-range driver = C»
» After-concert download –»
» Macondo's Axioms: Horn-l»
» Audio and Music: four le»
» A request to all posters»
» Is it the time to change»
» Sound from behind a wind»
» Monitors: Wishful thinki»
» Holly Proscenium idiocy!
» Dreams about Audio
» Accidental death music.
» Bliss
» Preamp/linestage recomme»
» Van den Hul 's Grail
» Bruckner, me and the Sev»
» Custom enclosure?
» Melquiades (D-Set) parts»
» About High-End Audio for»
» Multiple EQ curves of A»
» Has anyone ever seen the»
» John Curl’s new phonosta»
» DIY LCR phono
» Non-MDF horns
» 250 watts Parallel S.E. »
» Brahms' Magelone Songs
» Audiophiles are Happy or»
» Planning my DSET
» Micro Seiki SX 111FV Pla»
» Upper-Sound of Upper-Imp»
» Constant directivity = c»
» Another problem in my ne»
» The “guest musician opin»
» How playing an instrumen»
» Lecture on history of ar»
» Really Expensive DACs?
» You Can Play the Record,»
» Schroder Tonearms
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Classical events in Boston
APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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NPR Classical Programs
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Composer's Anniversaries
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Antheil, George (8 July 19»
Powell, Mel (12 February 1»
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Repoulis, Michael (12 Feb»
Ferrari, Fabrizio (12 Febr»
My Audio Leftovers
Vitavox 330Hz Horn for »
Fane Studio 8 dual conc»
Koetsu Onyx Platinum Ca»
Hillock TV-2 tube tester
Vitavox AK151 15" bass »
Micro-Seiki air-suspend»
Purist Audio Design Pro»
Micro Seiki RX-5000
Musatex’s Bidat Model "»
Rohde & Schwarz MSDC Mu»
Tribute Output Amorphou»
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