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» Crossover or non-crossov»
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» SS Power Amps - the FoxN»
» Scientific vs. audio act»
» An unexplored way to dea»
» Eat your heart out, Mr. »
» “FM live” file exchange »
» Analog Transfer: the fir»
» A resistor between scree»
» After-concert download –»
» Kevin Brooks Acoustic Sy»
» Speaker Building
» Music and Arts of Americ»
» Speaker hunting
» Tell me about more about»
» hello cats...meow.
» GM70 vs. 6C33C
» Le C'leach horn rear cha»
» Woofer cone materials an»
» A discussion about the a»
» Stop buying the records »
» The “Dead Points of Live»
» Hässler sonata: Gra»
» Lab JC
» A DSET is better then an»
» THE Show, 2016
» De-stress not decompress»
» Liszt’s symphonic poems.
» Eq for 78's
» New Barenboim’s Bruckner»
» Interesting use of Lunda»
» Suggested target curves »
» S3 on tractrix 260 graph.
» Horns with contra-profil»
» The LCR RIAA correctors
» Garg wants more horns.
» HD Radio? Good, bad or u»
» Audio and Politic: a sol»
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The Well Tempered Comput»
Conductor’s Corner
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Sibelius Academy music l»
Perer Gulmann's Classica»
High-Tech Hi-Fi
Composers Forum
Wiener Philharmoniker Di»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 In Search of New Wor»
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classical music attracts o»
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it’s (almost) business as »
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Nenov, Dimiter (19 Decembe»
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Vitavox 330Hz Horn for »
Stage Acompany SA8535 d»
Rohde & Schwarz MSDC Mu»
Purist Audio Design Pro»
Electro-Voice T350 twee»
Vitavox S2 Compression »
Hillock TV-2 tube tester
Lamm L2 Reference pream»
Ortofon Mono CG 25 Di c»
Vitavox S2/S3 diaphragms
Micro Seiki RX-5000
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