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» Archimago's Musings talk»
» Beautiful Mahler Lieder
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» God bless WDR Symphony O»
» Single-stage Melquiades »
» Amazing Altec 288 ++
» World's First Concrete R»
» How does it sound?
» Brahms 4th Symphony in i»
» Initial thoughts about n»
» Full range Melquiades im»
» Audio equipment recommen»
» Making of a Steinway.
» Film about Jacqueline du»
» Monitors: Wishful thinki»
» How to mitigate the expe»
» Munich High End 2010
» Kitties go to London
» The most interesting hor»
» Magico: biological minde»
» 3 ways how I listen to m»
» Bye-bye Studer…
» Micro RX5000: is that be»
» Faberryman and the CES 2»
» Tree motors from one sid»
» Compression at WCRB - b»
» Sound from behind a wind»
» UHF capable tweeters and»
» Foundation Standarts for»
» The RCA’s 6C33C sockets?
» The tools to listening s»
» There is Bruckner and th»
» My Koshka is meowing
» Yamaha B-2 V-FET amplifi»
» Mozart, Piano Concerto i»
» What is the buzz: the V-»
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Irvington Music
WGBH alumni
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Willem Mengelberg discog»
Marston Records
Tube World
Pristine Audio Direct
Club Abbadiani Itineranti
Dr. Olson Tribute Site
Norman Lebrecht's blog
MetManiac Opera Archive
Wiener Philharmoniker Di»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Vitavox AK151 15" bass »
Micro-Seiki MAX-282 To»
Musatex’s Bidat Model "»
Altec 515B bass drivers
Purist Audio Design Pro»
Tribute Output Amorphou»
Lamm ML-2 Single-Ended »
Mid-range tantrix round»
Micro-Seiki Arm Board
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Pacific Microsonics Mod»
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