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» Arranging my records col»
» The bogusness of the coa»
» About Timbre and Audio.
» If you were to start fro»
» We do not have an audio »
» About the ownership of a»
» Music in the Sound: a mo»
» Ravel Piano Concerto No2
» The ULF cannel for my ne»
» James Levine takes a gre»
» Lamm Industries: a speci»
» "O Vitavox, Vitavox»
» Macondo vs Dannoy = Esse»
» RIAA pole two = 501,12 Hz
» The ferrofluiding of com»
» Foundation Standarts for»
» My today’s views on LP c»
» Trinnov amplitude and im»
» Bach Cello Suites
» Asyncronus USB
» Large Polystyrene Caps
» A cutoff horn loudspeake»
» High-End Audio Bass: wha»
» The Full (fuller) Range »
» Natural Remedies for Sic»
» Electrostatic Sub Horn
» Not just another leather»
» 'Ideal' ceiling height? »
» The iHorn - a passive a»
» About the tweeters phase»
» The ultimate buffer #2..»
» About moronity of DIY Au»
» How to insert pictures i»
» An interesting comment, »
» Live memories of Live br»
» (Hopefully short) headph»
» A proper implementation »
» The Patrick Flanagan’s N»
Bookmarked are red
The National Valve Museum
Composers Forum
Phil Mundi Audio Pro Med»
THL Audio
The Opera Critic
Thunderstone Audio Websi»
Adnan Arduman's site.
Pjay's Speaker building »
Art Songs and Librettos
Russian Music in 20th Ce»
Ward Marston's "Marston"»
Jogis Röhrenbude's Site
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Kenwood L-02T FM Tuner
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