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» Why horn-loaded loudspea»
» Some evidence for the ch»
» An Afternoon with Gary K»
» A horn workshop
» New source for old tuners
» The “better speakers” to»
» The Extraordinary Harvar»
» Audio and Music: four le»
» Adding one more non-sphe»
» About DSET-driven multi-»
» Do curved corners help???
» Playing third cartridge »
» The benefits of ultra hi»
» Another problem in my ne»
» Hmmm... the sad truth ab»
» A perfect "High-End»
» Who the hell is this int»
» Jean Hiraga’s cooking of»
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» THe Audio Critic Magazine
» Prokofiev Classical Symp»
» Trading cable elevators »
» Plaishner 3-way speaker.
» The Truly High-End Ampli»
» ULF: where is the border»
» A new 'chic' foolishness»
» Analog: a reduction of s»
» The dynamic range of our»
» Rachmaninoff Piano Conc»
» Western Electric reprodu»
» Rcf n850
» Amazon and MP3
» Turntable speed analysis.
» Transparent horns
» Idea of a 3way horn syst»
» Haliaetus: Dick Cheney’s»
» An ultimate transformer »
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Exponential/Hyperbolic C»
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OperaGlass
Michelangeli Discography
The National Valve Museum
The Soul of Sound
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Musical Instrument Jokes
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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SME M2 - 12" Tonearm wi»
Hillock TV-2 tube tester
Electro-Voice T350 twee»
CEC TL-0 MK2 transport
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Pacific Microsonics Mod»
Micro-Seiki Arm Board
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LF Transformer for 6C33C
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