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» 6C33C socket types, wher»
» Eat your heart out, Mr. »
» 2010 Classical Grammy No»
» An angry engineer...
» (monitor vs hifi speaker»
» About HF Binaurallism
» The best “Die Fledermaus»
» The jump-start of loudsp»
» The industry-embraced au»
» Prom 22 - if only all or»
» Small SET’s bass, beside»
» Course & guide on ho»
» Another horn manufacturer
» Yamamura's 6 ways
» Adding one more non-sphe»
» The new FM Classical sce»
» Dukane 5A540 Compression»
» JBL LE8
» Dual channel SET
» It is about timbres, stu»
» A sort of DPOLs
» I think it is the end.
» Who owns what in FM
» The realty of UHF and LF»
» Introduction to “Melquia»
» Wich melquiade?
» What is better then Wagn»
» New Shalin Liu Performan»
» Denouncing of idea of Ba»
» Ophelie Gaillard renders»
» Audiophile Re-issues: Wh»
» My new horn systems
» Lutoslawski Concerto for»
» A Scratched Horn.
» The inflatable speakers »
» Richard Wetz and Martin »
» Tonearms criterias??
» Upperbass horns – tone v»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 In Search of New Wor»
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Sansui TU-X1 Tuner
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Micro Seiki RX-5000
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Fane Studio 8 dual conc»
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