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Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» Why David Robertson does»
» Updated view: The Optima»
» Small spaces
» Cooperation for the comm»
» The 5-ways from Germany.
» My playback’s sound vs. »
» Any recommendations?... »
» The new “little things” »
» Adding one more spherica»
» About my listening habit»
» New CubeAudio Tractrix H»
» Class “D” – the industry»
» The mystery of reversed »
» BD-Design’s Orelino
» 3.5m Tractrix Horn Proje»
» Bad, bad, bad 1812 Overt»
» My new horn systems
» TU-X1 setup
» Use absolute polarity as»
» Multiple EQ curves of A»
» About the Playbacks’ Thi»
» JBL LE8
» Reel-to-Reel Tape vs. Ra»
» Is better than Kinetic S»
» Beware of the Arkive Mus»
» About DSET-driven multi-»
» Andrew's new 4-way horn »
» If I start High-End Audi»
» Watching conductors of t»
» A need for Resolution /S»
» A Frankenstein Macondo -»
» Two channels (tweeter an»
» Van Cliburn Moscow 1958
» The DSET perspective exa»
» A strange urge.
» Why second tonearm/cartr»
» A minor Audio depression»
» Goto SG-370DX measurement
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Virtuosos Discographies
Tuners Stereo Surgeons
Club Abbadiani Itineranti
Lenard's Opals monitor
Subito-Cantabile
Recording Technology His»
Phono EQ
Ron Penndor's Recollecti»
The Victor Victrola Page
Audio Database
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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