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» I think my Dynavector 10»
» Hungarian folded horn
» Dedicated Music Room Bui»
» To hear Haydn for a firs»
» Puccini: Tosca
» How to read Romy the Cat»
» A phenomenal find: Garvi»
» About TTH characteristic»
» Brahms PC #1, Philharmon»
» Paul McGowan. tubes in p»
» That is not 1812 and the»
» Abbado + Lucerne Festiva»
» About my listening habit»
» Multicellular horns
» Polish Autotech steps up»
» It takes balls to shop (»
» What to do in England?
» Classical Music for the »
» The Lieberson’s Neruda S»
» Remastering (and re-loca»
» Inner Groove Distortion »
» New York Times family ki»
» Eq for 78's
» I'm omnivorous... am I i»
» High End speakers Evolut»
» Vincent Brient’s playbac»
» What is interesting abou»
» “Melquiades” amplifier: »
» Big mama 1.5" horns»
» Earl Geddes: Horny Book
» 6 Channel Version of Sup»
» Ultimate Tonearm
» About Boiling Micro Resp»
» Who has best sound in Hi»
» Audio critique – open yo»
» The European Triode Fest»
» Computer Audio
» Bruckner 8, WDR and Manf»
Bookmarked are red
Seen and Heard
Eugene Ormandy Pages
Jogis Röhrenbude's Site
Classical Music Network
Linkwitz's "Laboratory"
Electronics encyclopedia
Phono EQ
Decca Classical discogra»
Soviet Composers
Nornan Lebrecht's blog
Dr. Bruce Edgar Interview
Rottenburger Museen
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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