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» The last phonocorrector:»
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» My playback’s sound vs. »
» Compression drivers and »
» Thoughts from Clark John»
» Conchita Supervia
» Memories of audio elemen»
» I do not know what else »
» EMIA Phonostage.
» Tchaikovsky’s “Evgeny On»
» Anyone experimented with»
» Vitavox corner horn
» An interesting Russian p»
» John Curl’s new phonosta»
» Tchaikovsky: Symphony No»
» Polarity Tester – a must»
» Andre Previn in Boston.
» RIP Oscar Peterson
» Bruckner 3rd
» Deep-cryogenically treat»
» The benefits of ultra hi»
» My subject of envy to au»
» MBS Platinum ADC
» A longer CD-Rom cable.
» Beethoven's Triple Conce»
» Greek Arcadian Audio new»
» Vasily Petrenko in Bosto»
» Maxim Vengerov: Encore i»
» 'Ideal' ceiling height? »
» First order filtration a»
» Placido Domingo... condu»
» How to manage audio powe»
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» The nature of "soun»
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Bookmarked are red
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Technical books online
Boston Philharmonic Orch»
Boom's Dungeon
Eugene Ormandy Pages
The Soul of Sound
Doremi CD label
Aria Database
MusicStack
Duntech Audio loudspeake»
Tube World
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
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APR 12 Takács Quartet in Gr»
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Lamm ML-2 Single-Ended »
Kenwood L-02T FM Tuner
Lamm L2 Reference pream»
Sansui TU-X1 Tuner
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Korvet “Egg” Tonearm
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Koetsu Onyx Platinum Ca»
Micro-Seiki MAX-282 To»
Pacific Microsonics Mod»
Micro-Seiki Arm Board
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