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» WGBH Opera Bash 2009
» About my listening habit»
» The Best Of Wiener Philh»
» Woman conductor?
» Montreal Audio Show 2013
» Lavry vs Stahl -Tek
» The Evolution (or Anti-E»
» Tokyo (Akihabra) Audio a»
» 6E6P-DR in triode mode
» Anything wrong with wide»
» Brian Cheney of VMPS
» Audio clubs in London, T»
» DVD for pop, SACD for cl»
» How to organize files wi»
» The decentralization and»
» How to start Classical M»
» I think my Dynavector 10»
» What I am doing?
» Canadian Speaker Proposal
» FM Acoustics: The most i»
» That is not 1812 and the»
» Equalizer? Hm…
» My Multi-way Horns
» Goto SG-370DX measurement
» Despicable me
» We don’t necessarily kno»
» Experience Music Horn In»
» The tools to listening s»
» JBL 2226 2445 2405 3-way»
» Lecture on history of ar»
» Ultimate Tonearm
» The differential diagnos»
» Dinsdale Horn Design Art»
» Festival “Son & Imag»
» Help with Math needed.
» Getting more power from »
» Why I do not love Mahler?
» Playback journeys and Mu»
Bookmarked are red
Eugene Ormandy Pages
Thomas Dunker's Site
Museatex
Olson Acoustical Book
Twogoodears' Blog
Tuners Stereo Surgeons
Audio Perfectionist
Graeme's Speaker DIY Pag»
High-Tech Hi-Fi
Greg Sando’s Site
Scriabin's Sonatas
Phil Mundi Audio Pro Med»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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it’s (almost) business as »
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Micro-Seiki Arm Board
Fane Studio 8 dual conc»
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Mid-range tantrix round»
Lamm ML-2 Single-Ended »
Hillock TV-2 tube tester
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Rohde & Schwarz EU-6201»
Sansui TU-X1 Tuner
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