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» Lamm L1 vs. L2 preamp
» My Multi-way Horns
» Don't position speakers »
» Berlin Philharmonic Dire»
» About Boiling Micro Resp»
» Benz Gullwing and Hi all
» The Church of Denon 103C
» The great pianist Earl W»
» Use absolute polarity as»
» Philadelphia Orchestra c»
» The evenings with Greate»
» PCM63 DAC with Transform»
» Modifying TAD 2404
» Dick Burwens "low c»
» Trash your “full-rage”, »
» Yarlung Records at 24 bi»
» Open letter to WGBH.
» Alicia De Larrocha, Bach»
» More about step up trans»
» How to make a music pers»
» An Interview With Dr. Br»
» Who makes good L-Pads?
» Passive transformer base»
» Musique Concrete horns
» LF Amplifier in biamping.
» Why Horn loaded systems?!
» Sonic consequences of re»
» Coral x-viii
» Thinking about Bruckner »
» “How audio might sound”
» Sub-woofer integration w»
» Audio clubs in London, T»
» Digital Volume Control s»
» Another problem in my ne»
» Those little headphones…
» Beware of "Higher F»
» Julia Fischer in Boston »
» Audio equipment vs. live»
Bookmarked are red
DIY SET
Furtwängler's conserts
Classical Composers
Great Plains Audio
GedLee loudspeakers
Musical Instrument Jokes
Direct Drive TT
Tchaikovsky's Compositio»
Glenn Gould Audio Archiv»
Sound Tourism
Duntech Audio loudspeake»
The Gustav Mahler Board
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 17 In Search of New Wor»
APR 19 In Search of New Wor»
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LF Transformer for 6C33C
Rohde & Schwarz EU-6201»
Micro Seiki RX-5000
Micro-Seiki Arm Board
“Tree Blind Mice” colle»
Lamm ML-2 Single-Ended »
Lamm L2 Reference pream»
Sansui TU-X1 Tuner
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