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» About the (secret) rules»
» Taking the mystery out o»
» Tree motors from one sid»
» John Cage about silence »
» What is High-End Audio, »
» One of the Best Mozart R»
» “Hearing Modernity” at H»
» Some Audiogon realty
» Micro Seiki SZ-1T
» Here's what's REALLY wro»
» Charles Schlueter’s inte»
» How to train respect aud»
» Signal variation, noise,»
» Stage Music: get clew.
» Audio critique – open yo»
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» Does high-sensitivity sp»
» The Dog eat my CDs.
» A longer CD-Rom cable.
» How do you position your»
» I good spot-light for a »
» Yamaha ns1000m speaker p»
» Altec cabinet: 815a
» A CD playing audio perso»
» The Real Total Horn
» Placido Domingo... condu»
» Why I do not love Mahler?
» The BBC program about gr»
» Wilsons, EMM, Ozawa, Sa»
» Puccini: Tosca
» Tonality versus Frequenc»
» Some kind of Grundig…
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Boston Philharmonic Orch»
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Western Electric manuals
Exponential/Hyperbolic C»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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a woman takes the podium a»
he wasn’t toscanini, but h»
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another trump blunder»
from concerts to cartoons:»
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how to diversify orchestra»
ethel smyth, a composer lo»
classical music attracts o»
‘the lost pianos of siberi»
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it’s (almost) business as »
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Electro-Voice T350 twee»
Altec 808A compression »
Micro-Seiki air-suspend»
Kenwood L-02T FM Tuner
Korvet “Egg” Tonearm
Purist Audio Design Pro»
Stage Acompany SA8535 d»
LF Transformer for 6C33C
Vitavox S2 Compression »
Altec 515B bass drivers
Micro Seiki RX-5000
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