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» Audio critique – open yo»
» Engineering over Art
» Polish Autotech steps up»
» Srajan Ebaen and Juicy-C»
» The evil of low sensitiv»
» Weinberg String Quartet »
» Small SET’s bass, beside»
» Bookshelf Horns
» A sort of DPOLs
» Why I hate computer play»
» Here is my new tonearm.
» Introduction to “Melquia»
» Eighteen Sound ND1460A c»
» Drama vs. Chic
» A playback and wrong not»
» How to play mp3.
» Proximity of horn’s cros»
» Analog is Back 2011: Wav»
» Adding one more non-sphe»
» I have a dream, the drea»
» MartinLogan Montis Speak»
» The today’s take on Rach»
» Paradoxes of my Racism.
» Bose audio and industry »
» Upcoming Bruckner 4
» Worcester Music 2009-201»
» Terminal Velocity? Smart»
» Easy Bruckner for Beginn»
» Tweeters: the most misus»
» Mercury Living Presence »
» Classical Music for the »
» Micro Seiki MAX 282 Ques»
» Upper-Sound of Upper-Imp»
» Arsenic bacteria & G»
» Yamaha tuners
» A new CES 2010 loudspeak»
» JBL2440 on a round 300Hz»
» Weiss Engineering DAC202
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APR 28 A Messiah for Our Ti»
DEC 2 Handel: Messiah in C»
DEC 3 Verona Quartet in Bo»
DEC 3 Brandeis Chamber Sin»
DEC 3 Handel: Messiah in B»
DEC 4 First Monday at Jord»
DEC 7 On Christmas Night i»
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Stradella, Alessandro (1 O»
Blow, John (23 February 16»
Cirri, Giovanni Battista (»
Dukas, Paul (1 October 186»
Alexander, Russell (26 Feb»
Toch, Ernst (7 December 18»
Castillo, Ricardo (1 Octob»
Harris, Roy (12 February 1»
Bardos, Lajos (1 October 1»
Horowitz, Vladimir (1 Octo»
Bussotti, Sylvano (1 Octob»
Schoonenbeek, Kees (1 Octo»
Tolenaar, Richard (1 Octob»
Dowling, Fergal (1 October»
Kaefer, John F. (1 October»
Barchan, Stephen Mark (1 O»
Micro-Seiki MAX-282 To»
Stage Acompany SA8535 d»
“Tree Blind Mice” colle»
Lamm Industries M1.1 Mo»
Vitavox S2/S3 diaphragms
CEC TL-0 MK2 transport
Musatex’s Bidat Model "»
Kenwood L-02T FM Tuner
Lamm L2 Reference pream»
Purist Audio Design Pro»
Vitavox S2 Compression »
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