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» A passive but elegant pr»
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» Oistrakh(s) on Monitor M»
» Eventually - a reasonabl»
» Engaging the David Haign»
» A use of extraordinarily»
» Replacing 802 G and 811 »
» Wasted Time and "be»
» Time alignment of drivers
» The decentralization and»
» How to train respect aud»
» Very interesting
» The Daniel Hertz M1 ultr»
» Amazing Altec 288 ++
» DAW drives configuration»
» Melquiades (D-Set) parts»
» Stop having a fear of ho»
» The Second stereo arm pr»
» The "artificially&q»
» Metropolitan Opera 2009-»
» Digital crossovers self-»
» Belar fms-2 Vs. r&»
» Updated view: The Optima»
» Getting more from MF cha»
» Listening playback with »
» The funny Internet audio»
» Altec Model 19 in Boston.
» New show in US, some new»
» The today’s take on Rach»
» Perception of bass?
» Beware of the "dipo»
» About Audio and Cooking »
» SME M2
» Mid Bass horns help with»
» Despicable me
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Hermann Scherchen discog»
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Tonal tests
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Altec 515B bass drivers
Kenwood L-02T FM Tuner
Pacific Microsonics Mod»
Electro-Voice T350 twee»
Korvet “Egg” Tonearm
Rohde & Schwarz MSDC Mu»
Vitavox S2/S3 diaphragms
Lamm ML-2 Single-Ended »
ESS AMT-1A Heil Air Mot»
Sansui TU-X1 Tuner
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