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» Perspective?
» Rod Poole 1962-2007
» If you are in Bruckner: »
» The one-stage Melquiades.
» A fundamentally faulty J»
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» A littlie D-War: Bidat v»
» Another time aligned 5-w»
» Srajan, 6Moons, sex indu»
» Berlin, Bruckner 8 in Ma»
» High Definition Tape Tra»
» Attempt of a playback sy»
» An evening to remember -»
» BBC: Composer of the Wee»
» About audio sales and h»
» High End Audio and music»
» Midbass Horns and Real E»
» Sauna and Audio
» The Nimbus' Prima Voce b»
» A new strange but predic»
» OK, digitechs, why won't»
» Shock-absorbing tube soc»
» Back chamber
» The iHorn - a passive a»
» A Cardboard Effect.
» Some thoughts about Milq»
» The realty of UHF and LF»
» VTL TL-7.5 Reference: Hi»
» About DSET-driven multi-»
» Yamaha 6681B
» Tannoy Red 1960s: some s»
» Mini A7
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» The A=432 Hz Frequency
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Classical events in Boston
APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 In Search of New Wor»
NPR Classical Programs
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he wasn’t toscanini, but h»
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Composer's Anniversaries
Vecchi, Orazio (6 December»
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Andrée, Elfrida (19 F»
Fuchs, Robert (15 February»
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Harty, Herbert Hamilton (4»
Rieti, Vittorio (28 Januar»
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Kurtág, Győrgy (»
Paterson, Lorna (19 Februa»
van Nieuwkerk, Willem Wand»
My Audio Leftovers
CEC TL-0 MK2 transport
Micro-Seiki air-suspend»
Musatex’s Bidat Model "»
Lamm L2 Reference pream»
Ortofon Mono CG 25 Di c»
Rohde & Schwarz EU-6201»
Hillock TV-2 tube tester
LF Transformer for 6C33C
Conscience of audio rev»
Altec 808A compression »
Sansui TU-X1 Tuner
More Leftovers »»