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» Macondo – Super Melquiad»
» Making LPs; What Goes In»
» The Macondo’s Upper Bass»
» 3.5m Tractrix Horn Proje»
» The LCR RIAA correctors
» SET and speakers: disreg»
» Creative listening
» A slightly crazy idea fo»
» Null-set dipole butterfl»
» Bermuda Triangles of Aud»
» Gardzienice "Metamo»
» We who are about to die.»
» New Motor for an Old Sot»
» High-end audio: Absolute»
» A good PF articles about»
» Horns and digital crosso»
» 2012 Decca records from »
» Alicia De Larrocha, Bach»
» A new strange but predic»
» Dvorak Piano Quintet
» What about 220V 50Hz?
» Purist Audio Design vs. »
» Bartok piano works
» Neumann Dummy Head.
» The funny Internet audio»
» The Edgarhorn RTA respon»
» ULF: where is the border»
» (monitor vs hifi speaker»
» The tapped horns: cons, »
» From Newton to Einstein
» FMFool – a truly useful »
» RIP Pauline Oliveros
» An amplifier for Tweeters
» Custom enclosure?
» Romy The Cat's new Liste»
» Melquiades: too early fo»
» Cooperation for the comm»
» Playback and Perception »
Bookmarked are red
Marston Records
Western Electric manuals
Robert Greene’s "Reg on »
Boston Philharmonic Orch»
Audio Perfectionist
Russian Music in 20th Ce»
Thomas Dunker's Site
Truesound Transfers
Loudspeaker Designer's G»
DIY SET
Electron Tube Data sheets
33+45=78
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
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