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» Micro Seiki, tonearm,car»
» Corner Speakers for a ne»
» The evil of low sensitiv»
» Some Audiogon realty
» Beautiful Mahler Lieder
» Tritium Turntables
» Today’s SACD - music for»
» Understanding Line Array»
» When the stars aligned.
» The Hannes Kastner’ Tocc»
» The Andrew Rose’s “Prist»
» Russian mythology and Ho»
» Capturing live internet »
» Stephen Hartkel, the goo»
» Where are our good Tuner»
» 6C41C – the journey to n»
» "Consensus in audio»
» Arranging my records col»
» Lamm ML2.0 & Lamhorn»
» How to play Bruckner Sou»
» Where high-end audio sta»
» American National Record»
» S3 on tractrix 260 graph.
» A contemporary great CD »
» The Estonian idiocy: Est»
» Who the hell is this int»
» How do you position your»
» Some thoughts about bass»
» Small SET’s bass, beside»
» Sometimes surface noise »
» Zanden 2500S CD player +»
» The 'Side's End Ceremony»
» Do not over-damped your »
» 834p modding..."hum»
» Oliver Sacks' "Musi»
» The last phonocorrector:»
» Zebra horns painting?
» I'm omnivorous... am I i»
Bookmarked are red
Glenn Gould Audio Archiv»
GS Tube
Exponential/Hyperbolic C»
The Leonard Cohen Files
Tin Lee Electronics
Wood Horn Speakers
Sound Tourism
Random Classics
Musical Musings
IMSLP Music Library
Daniels Audio
Joachim Raff Society
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Electro-Voice T350 twee»
Lamm ML-2 Single-Ended »
Rohde & Schwarz EU-6201»
Hillock TV-2 tube tester
Ortofon Mono CG 25 Di c»
Vitavox 330Hz Horn for »
Lamm Industries M1.1 Mo»
Vitavox S2/S3 diaphragms
Fane Studio 8 dual conc»
ESS AMT-1A Heil Air Mot»
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