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» About DSET-driven multi-»
» The experiments with rem»
» About the life-expectanc»
» About the pre-warming of»
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» New paradigm - what an &»
» 6E6P-DR in triode mode
» Chicago Lyric Opera on W»
» Cerebral and psychologic»
» Practical Guide for Back»
» The "Lopsided"»
» Achingly Beautiful Arias
» Entereing the "Desi»
» 50/40 Altec 604 Duplex B»
» Better solution for bein»
» Herbie's Hal-O Tube Damp»
» Impressions from High En»
» Friedrich Kuhlau and his»
» Prokofiev Classical Symp»
» Der Ring Des Nibelungen »
» Relief from micro-arcing»
» Dpols?
» Beethoven IX and Fü»
» Danley's optimised paral»
» Big room vs small room
» Electrostatic Sub Horn
» Antenna Cable Connection
» What drives good sound?
» Looking for different So»
» The nature of "soun»
» Romy's Multi-cell Horns »
» Memories of audio elemen»
» Antenna diversity system»
» How many channels does a»
» Recording options: Pacif»
» The High Resolution PCM »
» Some evidence for the ch»
» Horns with contra-profil»
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Avie Records
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Hermann Scherchen discog»
Broadcast History
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Jogis Röhrenbude's Site
OperaGlass
Glenn Gould Audio Archiv»
Jong Woo's Site
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 12 Takács Quartet in Gr»
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