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» Oistrakh(s) on Monitor M»
» About Darwinism of Music»
» Chesky's violin concerto
» Emmerich Kalman (1882-19»
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» Joseph Haydn, Six Esterh»
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» An educational Eugenie’s»
» The today’s take on Rach»
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» Romy...thoughts on Lamm »
» Compression drivers and »
» Upper-Sound of Upper-Imp»
» The Bruckner 5 by Benjam»
» CES 2006
» Why the tubes shall be t»
» Simpson Microphones thre»
» A response to David Hurv»
» About Wilson Audio Louds»
» Tweeters: the most misus»
» About audio Crashes.
» Placido Domingo... condu»
» Has anyone built the DIY»
» Micro seiki SX-8000 Air »
» The Mercury "Rigole»
» The Softer Side of a Har»
» Okada’s installation.
» Artificial Phases Random»
» Every crowd has a silver»
» EdgarHorn Speaker Project
» Kloss 5-way horns setup.
» The “Melquiades” Sound -»
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Classical events in Boston
APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
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APR 17 In Search of New Wor»
NPR Classical Programs
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a woman takes the podium a»
he wasn’t toscanini, but h»
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Composer's Anniversaries
Corelli, Arcangelo (17 Feb»
Marchand, Louis (2 Februar»
Carulli, Ferdinando (10 Fe»
Pacini, Giovanni (17 Febru»
Vieuxtemps, Henri (17 Febr»
Saintis, Armand (17 Februa»
Viotta, Henri (16 July 184»
German, Edward (17 Februar»
Madetoja, Leevi Antti (17 »
Popov, Gavriil Nikolayevic»
Leibowitz, René (17 F»
Hoiby, Lee (17 February 19»
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Frith, Fred (17 February 1»
Hoinic, Bujor (17 February»
Thompson, Robert Scott (17»
van Roosendael, Jan Rokus »
de Groot, Jan Rokus (6 May»
My Audio Leftovers
Stage Acompany SA8535 d»
Conscience of audio rev»
Micro-Seiki air-suspend»
Korvet “Egg” Tonearm
Ortofon Mono CG 25 Di c»
Altec 808A compression »
Pacific Microsonics Mod»
Lamm L2 Reference pream»
Electro-Voice T350 twee»
Micro-Seiki Arm Board
“Tree Blind Mice” colle»
More Leftovers »»