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» The elusive “absolute to»
» Synergy Horn
» High-End Audio and.... &»
» Kharma Loudspeakers reac»
» The Brain Inertia.
» The new G.I.P speakers.
» Why I do not like La-hor»
» Sound from behind a wind»
» Lutoslawski Concerto for»
» About audio hoarding
» A different type of uppe»
» 23Hz mono horn project.
» FM Acoustics: The most i»
» There is nothing subject»
» Copper Mat on a Micro Se»
» Midbass Horns and Real E»
» A very slow monolog abou»
» Listening to Music with »
» Shostakovich’s 100th bir»
» Remastering (and re-loca»
» How playing an instrumen»
» A tale of two DACs
» I need a “second-type” p»
» My Audio Philosophy
» The meaning of lowest oc»
» Prokofiev's cantata
» More 6E5P-6C33C amps.
» The realty of UHF and LF»
» Le Poeme Harmonique
» Avantgarde Trio G3 Louds»
» Ghorbani&Hamdani sin»
» Hässler sonata: Gra»
» Hideous American operas.
» Ravel's Piano Trio; Rubi»
» The need for a balanced »
» It is Miracle
» EMM Labs hits… the chick»
» Deficiency of sensible a»
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