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The audio preview of the audio part of my Book

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» Beethoven's Triple Conce»
» Don’t "use" VTA
» The Mozart’s Dorabella a»
» The "non-winner&quo»
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» Romy...thoughts on Lamm »
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» Lowther Driver
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» Someone is DSETing, it s»
» Le Poeme Harmonique
» The Milq’s power supplie»
» Woofers cone repair – a »
» Eben X-3 loudspeakers -»
» JBL2440 on a round 300Hz»
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» Tchaikovsky's Nutcracker»
» To buy an SACD Player?
» Phono stages with SU-1
» Bach and Rain
» Macondo’s Midbass Projec»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7177 
Selfdenial as Audio Tower of Babble? 7174 
Musical Messages 7174 
The Sound of Music by and for musicians 7174 
The Original Sound 7173 
Audio, visual art and Cesar salad. 7173 
Relative Contrast 7173 
aura of art 7173 
Why, why Abstract Audio? 7173 
Re: Relative Contrast 7173 
"Differences" versus "contrast" 7173 
I would shade some light about “abstract audio” 7172 
Color Theory 101 7172 
a healthy divide 7171 
Further musings on JD's ideas above. 7171 
not to be too picky, but it might be important 7168 
Let's put a positive, festive note to this 7168 
Sure why not! + optical ideas 7167 
Color hearing and foreign languages... 7167 
what's the problem. 7152 
one itsy bitsy clarification 7152 
Feline's consciousness.... 7152 
so 7152 
Repeatability is a key difference for music and SOUND 1964 
Changes With Consistency as a Backdrop 1964 
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