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The audio preview of the audio part of my Book

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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
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» Single-stage Melquiades »
» Justification of Buying »
» Cerebral and psychologic»
» Gould's Goldberg Variati»
» 5 Channel Version of Mel»
» The silence after coda
» Lamm ML2.1 "No long»
» Macondo’s lowest channel.
» The best audio system: m»
» Nicolai Golovanov
» ESP Concert Grand SI Lou»
» Rakeshorns
» The Loudspeaker (Troels »
» Aimez-vous Bartók?
» Romy the Cat communicati»
» Best of the HE2006!!!
» High Definition Tape Tra»
» A sad day in Greece.
» Eq for 78's
» Ultimate Tonearm
» CES 2006
» Rudolf Barshai conducts »
» Cool running AB amplifie»
» Fostex tweeters, Lowther»
» An idea of Individual Re»
» About Wilson Audio Louds»
» “A” sound from “B” syste»
» Stage Music: get clew.
» His Master Voice’s Shade»
» Shi-Yeon Sung and BSO
» I think it is the end.
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7150 
Selfdenial as Audio Tower of Babble? 7147 
Musical Messages 7147 
The Sound of Music by and for musicians 7147 
The Original Sound 7146 
Audio, visual art and Cesar salad. 7146 
Relative Contrast 7146 
aura of art 7146 
Why, why Abstract Audio? 7146 
Re: Relative Contrast 7146 
"Differences" versus "contrast" 7146 
I would shade some light about “abstract audio” 7145 
Color Theory 101 7145 
a healthy divide 7144 
Further musings on JD's ideas above. 7144 
not to be too picky, but it might be important 7141 
Let's put a positive, festive note to this 7141 
Sure why not! + optical ideas 7140 
Color hearing and foreign languages... 7140 
what's the problem. 7125 
one itsy bitsy clarification 7125 
Feline's consciousness.... 7125 
so 7125 
Repeatability is a key difference for music and SOUND 1937 
Changes With Consistency as a Backdrop 1937 
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