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» Soprano Sally Matthews.
» Reality Check system to »
» Vinyl Ceremonies: Repeat»
» Johannes Brahms - Sympho»
» Better solution for bein»
» So, What's the Story on »
» Not new, but VERY intere»
» About cost of electromag»
» The elusive “absolute to»
» Ludwig van Beethoven &qu»
» The Full (fuller) Range »
» Anyone Care to Make Odds»
» A good PF articles about»
» The best audio product o»
» Virginia Tech and Music
» Khatia Buniatishvili
» Yet another Gould box se»
» Midbass Horns and Real E»
» Conductor Herbert Kegel
» Additive capacitance: mi»
» Wanted Vitavox S2 Origin»
» Lecture on history of ar»
» Celibidache / bruckner
» Van Cliburn Moscow 1958
» Don’t "use" VTA
» Steve Leung, Cartridge W»
» A minor Audio depression»
» The High Resolution PCM »
» How Mussorgsky should so»
» A sad day in Greece.
» Another problem in my ne»
» Rakeshorns
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» Is better than Kinetic S»
» Lamm L1 vs. L2 preamp
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7102 
Selfdenial as Audio Tower of Babble? 7099 
Musical Messages 7099 
The Sound of Music by and for musicians 7099 
The Original Sound 7098 
Audio, visual art and Cesar salad. 7098 
Relative Contrast 7098 
aura of art 7098 
Why, why Abstract Audio? 7098 
Re: Relative Contrast 7098 
"Differences" versus "contrast" 7098 
I would shade some light about “abstract audio” 7097 
Color Theory 101 7097 
a healthy divide 7096 
Further musings on JD's ideas above. 7096 
not to be too picky, but it might be important 7093 
Let's put a positive, festive note to this 7093 
Sure why not! + optical ideas 7092 
Color hearing and foreign languages... 7092 
what's the problem. 7077 
one itsy bitsy clarification 7077 
Feline's consciousness.... 7077 
so 7077 
Repeatability is a key difference for music and SOUND 1889 
Changes With Consistency as a Backdrop 1889 
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