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The audio preview of the audio part of my Book

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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
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» Bach and Rain
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» Horn placements - horns »
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» Summer Refreshment; the »
» Marantz MA-9S2 Monoblock»
» Is it the time to change»
» The differential diagnos»
» Performers
» Midbass Horns and Real E»
» Like theese?
» Khatia Buniatishvili
» Input choke for Low Curr»
» Bach's performing space.
» Shopping for DSD Convert»
» I need some advice and d»
» The single-ended pretens»
» A listening room for a d»
» George Orwell and loudsp»
» Melquiadising other amp?
» Clark Johnsen.
» Yamamura's 6 ways
» About the (secret) rules»
» The Jeff Day’s Westminst»
» Driver tubes, grid leak »
» Making it sing...
» The iHorn - a passive a»
» State Symphony of Russia»
» Terminal Velocity? Smart»
» Mini A7
» Just-Sound of Audio vs. »
» Janine Jansen Violin
» My Analog Playback: the »
» About Moronism in Audio
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Exotic Audio
Glenn Gould Audio Archiv»
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Exponential/Hyperbolic C»
Irvington Music
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7171 
Selfdenial as Audio Tower of Babble? 7168 
Musical Messages 7168 
The Sound of Music by and for musicians 7168 
The Original Sound 7167 
Audio, visual art and Cesar salad. 7167 
Relative Contrast 7167 
aura of art 7167 
Why, why Abstract Audio? 7167 
Re: Relative Contrast 7167 
"Differences" versus "contrast" 7167 
I would shade some light about “abstract audio” 7166 
Color Theory 101 7166 
a healthy divide 7165 
Further musings on JD's ideas above. 7165 
not to be too picky, but it might be important 7162 
Let's put a positive, festive note to this 7162 
Sure why not! + optical ideas 7161 
Color hearing and foreign languages... 7161 
what's the problem. 7146 
one itsy bitsy clarification 7146 
Feline's consciousness.... 7146 
so 7146 
Repeatability is a key difference for music and SOUND 1958 
Changes With Consistency as a Backdrop 1958 
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