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End of Life Phonostage
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» Belar fms-2 Vs. r&»
» About playback and messa»
» Analogue to digital conv»
» Signal variation, noise,»
» A quest for a better mon»
» Tonality versus Frequenc»
» Yet another Gould box se»
» The Mercury "Rigole»
» Getting Started with Mya»
» A world class deaf percu»
» Resonating hi from overs»
» A nice Vandersteen inter»
» The fantastic Lucas Deba»
» Swing hornspeaker of bd-»
» Building Melquiades: Chr»
» The Sakuma's Show
» How to make a speaker dr»
» Jonathan Valin smokes La»
» Tweeters for Altec 420y »
» “A” sound from “B” syste»
» Smetana's Piano Trio
» About TTH characteristic»
» Rachmaninoff Piano Conc»
» Yarlung Records at 24 bi»
» Cogent+Electronluv+Acape»
» I need a “second-type” p»
» About dymick sparkling.
» San Francisco in Februar»
» OK, digitechs, why won't»
» More about step up trans»
» Rendezvous Mit Richard T»
» About bass horns by Joha»
» About the tweeters phase»
» Ah Mravinsky !
» Composers do not own mus»
» Midbass impedance bumps »
» Janine Jansen
» Klipsch Jubilee horn
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7115 
Selfdenial as Audio Tower of Babble? 7112 
Musical Messages 7112 
The Sound of Music by and for musicians 7112 
The Original Sound 7111 
Audio, visual art and Cesar salad. 7111 
Relative Contrast 7111 
aura of art 7111 
Why, why Abstract Audio? 7111 
Re: Relative Contrast 7111 
"Differences" versus "contrast" 7111 
I would shade some light about “abstract audio” 7110 
Color Theory 101 7110 
a healthy divide 7109 
Further musings on JD's ideas above. 7109 
not to be too picky, but it might be important 7106 
Let's put a positive, festive note to this 7106 
Sure why not! + optical ideas 7105 
Color hearing and foreign languages... 7105 
what's the problem. 7090 
one itsy bitsy clarification 7090 
Feline's consciousness.... 7090 
so 7090 
Repeatability is a key difference for music and SOUND 1902 
Changes With Consistency as a Backdrop 1902 
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