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The audio preview of the audio part of my Book

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Melquiades SET Amplifier
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End of Life Phonostage
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» You Can Play the Record,»
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» A car with vacuum tube..»
» Superior electric bindin»
» A random neutralness
» Choosing Someone to Refu»
» Altec A2
» About the audio Sources.
» The new “little things” »
» The FM Stereo and Multi»
» Boston and Liszt’s Secon»
» Non-Jewish Jewish music »
» Can a ultimate playback »
» ACR Fabulous-Series PA-1»
» New York Times family ki»
» The “Melquiades” Sound -»
» Panel with Peter Qvortru»
» 6 Channel Version of Sup»
» A tribune to Transient E»
» John Luther Adams's Beco»
» Vendors’ Egos.
» 5 way system in the UK
» 5-ways from Speedysteve7
» Bach's performing space.
» World's First Concrete R»
» Cogent+Electronluv+Acape»
» This new midbass horn di»
» Sibelius VC; Furtwangler»
» TX-103s...
» Is any interesting audio»
» I need a “second-type” p»
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» Cooperation for the comm»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7186 
Selfdenial as Audio Tower of Babble? 7183 
Musical Messages 7183 
The Sound of Music by and for musicians 7183 
The Original Sound 7182 
Audio, visual art and Cesar salad. 7182 
Relative Contrast 7182 
aura of art 7182 
Why, why Abstract Audio? 7182 
Re: Relative Contrast 7182 
"Differences" versus "contrast" 7182 
I would shade some light about “abstract audio” 7181 
Color Theory 101 7181 
a healthy divide 7180 
Further musings on JD's ideas above. 7180 
not to be too picky, but it might be important 7177 
Let's put a positive, festive note to this 7177 
Sure why not! + optical ideas 7176 
Color hearing and foreign languages... 7176 
what's the problem. 7161 
one itsy bitsy clarification 7161 
Feline's consciousness.... 7161 
so 7161 
Repeatability is a key difference for music and SOUND 1973 
Changes With Consistency as a Backdrop 1973 
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