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» Our Fuzzy Pussies, Audio»
» Micro Seiki SZ-1T
» Shi-Yeon Sung and BSO
» What, no Mahler?
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» About the audio Sources.
» 2012 Decca records from »
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» Shelter 901iii or 90c ca»
» Belar fms-2 Vs. r&»
» The WHRB’s Rimsky-Korsak»
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» Audio cabinet of curiosi»
» Beethoven IX and Fü»
» Hypex for ULF?
» Submerging deeper into A»
» What to read in audio?
» A big room with good aco»
» Appearance of listening »
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» Eat your heart out, Mr. »
» Relief from micro-arcing»
» Audio and Music: four le»
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» The "anecdotal"»
» Wilsons, EMM, Ozawa, Sa»
» The sound of Concert Hal»
» What is better then Wagn»
» The Brain Inertia.
» Any South/Latin American»
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Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7113 
Selfdenial as Audio Tower of Babble? 7110 
Musical Messages 7110 
The Sound of Music by and for musicians 7110 
The Original Sound 7109 
Audio, visual art and Cesar salad. 7109 
Relative Contrast 7109 
aura of art 7109 
Why, why Abstract Audio? 7109 
Re: Relative Contrast 7109 
"Differences" versus "contrast" 7109 
I would shade some light about “abstract audio” 7108 
Color Theory 101 7108 
a healthy divide 7107 
Further musings on JD's ideas above. 7107 
not to be too picky, but it might be important 7104 
Let's put a positive, festive note to this 7104 
Sure why not! + optical ideas 7103 
Color hearing and foreign languages... 7103 
what's the problem. 7088 
one itsy bitsy clarification 7088 
Feline's consciousness.... 7088 
so 7088 
Repeatability is a key difference for music and SOUND 1900 
Changes With Consistency as a Backdrop 1900 
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