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» Modifying TAD 2404
» What to do in England?
» Assemble it yourself?
» Tokyo (Akihabra) Audio a»
» Revisiting DSP
» Accidental death music.
» The foolishness of multi»
» The Ralf Stegmueller’s h»
» Who owns what in FM
» A very slow monolog abou»
» Music and Arts' Spring.»
» Oliver Sacks' "Musi»
» About the audio Sources.
» Opera “Boris Godunov”
» "Consensus in audio»
» A revolution for Executi»
» What to do in office?
» It is possible to elimin»
» The 6E5P tube data.
» Thomas Mayer’s Triamp
» Headphone amplifiers. Ba»
» Terminal Velocity? Smart»
» Reallocation of efforts:»
» Virginia Tech and Music
» WGBH Opera Bash 2009
» Help with Math needed.
» Romy The Cat's new Liste»
» Omni-directional 'horny'»
» “Why horns”, years later.
» Good commercial speakers
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Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7106 
Selfdenial as Audio Tower of Babble? 7103 
Musical Messages 7103 
The Sound of Music by and for musicians 7103 
The Original Sound 7102 
Audio, visual art and Cesar salad. 7102 
Relative Contrast 7102 
aura of art 7102 
Why, why Abstract Audio? 7102 
Re: Relative Contrast 7102 
"Differences" versus "contrast" 7102 
I would shade some light about “abstract audio” 7101 
Color Theory 101 7101 
a healthy divide 7100 
Further musings on JD's ideas above. 7100 
not to be too picky, but it might be important 7097 
Let's put a positive, festive note to this 7097 
Sure why not! + optical ideas 7096 
Color hearing and foreign languages... 7096 
what's the problem. 7081 
one itsy bitsy clarification 7081 
Feline's consciousness.... 7081 
so 7081 
Repeatability is a key difference for music and SOUND 1893 
Changes With Consistency as a Backdrop 1893 
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