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The audio preview of the audio part of my Book

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End of Life Phonostage
Audio Demoronizator AD-1
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» Prices in High-End Audio.
» How to manage audio powe»
» Single Ended Triode dist»
» Lavry vs Stahl -Tek
» High-End Audio amplifier»
» Creative listening
» Electro-Voice Tweeter an»
» My site and Your expecta»
» Think Denk and op.106
» Fake Vitavox S2 diaphrag»
» About Darwinism of Music»
» How Well Shall a CD Tran»
» The Daniel Hertz M1 ultr»
» Where high-end audio sta»
» Jonathan Weiss Introduce»
» High Definition Tape Tra»
» Macondo’s MiniMe or abou»
» Boston Philharmonic Mahl»
» The 'nature' of said rea»
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» Seven hours of live musi»
» The “Melquíades” d&»
» Happy birthday Johann Se»
» The Sound assessment rec»
» Conclusions on my Home a»
» The CD players must read»
» (monitor vs hifi speaker»
» Medici TV, interesting…
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» New Sonus Faber
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7183 
Selfdenial as Audio Tower of Babble? 7180 
Musical Messages 7180 
The Sound of Music by and for musicians 7180 
The Original Sound 7179 
Audio, visual art and Cesar salad. 7179 
Relative Contrast 7179 
aura of art 7179 
Why, why Abstract Audio? 7179 
Re: Relative Contrast 7179 
"Differences" versus "contrast" 7179 
I would shade some light about “abstract audio” 7178 
Color Theory 101 7178 
a healthy divide 7177 
Further musings on JD's ideas above. 7177 
not to be too picky, but it might be important 7174 
Let's put a positive, festive note to this 7174 
Sure why not! + optical ideas 7173 
Color hearing and foreign languages... 7173 
what's the problem. 7158 
one itsy bitsy clarification 7158 
Feline's consciousness.... 7158 
so 7158 
Repeatability is a key difference for music and SOUND 1970 
Changes With Consistency as a Backdrop 1970 
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