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The audio preview of the audio part of my Book

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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
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» Surprising: the most int»
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» Bruce Edgar dies
» Haliaetus: Dick Cheney’s»
» Mendelssohn, Cello Sonat»
» Danley's optimised paral»
» Macondo and ALE drivers,»
» Help with RF loop
» Eben X-3 loudspeakers -»
» Constant directivity = c»
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» The nature of "soun»
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» The Art of Pablo Casals,»
» Absolutely the best audi»
» Impulse response, short »
» Friedrich Kuhlau and his»
» Chinese upperbass horn.
» 47 Lab new turntable and»
» The European Triode Fest»
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Bookmarked are red
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The Well Tempered Comput»
Thomas Dunker's Site
Electron Tube Data sheets
Tin Lee Electronics
ECC99 - 6C33C SET
Tahra Records
Vintage Audio Trader
MetManiac Opera Archive
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7179 
Selfdenial as Audio Tower of Babble? 7176 
Musical Messages 7176 
The Sound of Music by and for musicians 7176 
The Original Sound 7175 
Audio, visual art and Cesar salad. 7175 
Relative Contrast 7175 
aura of art 7175 
Why, why Abstract Audio? 7175 
Re: Relative Contrast 7175 
"Differences" versus "contrast" 7175 
I would shade some light about “abstract audio” 7174 
Color Theory 101 7174 
a healthy divide 7173 
Further musings on JD's ideas above. 7173 
not to be too picky, but it might be important 7170 
Let's put a positive, festive note to this 7170 
Sure why not! + optical ideas 7169 
Color hearing and foreign languages... 7169 
what's the problem. 7154 
one itsy bitsy clarification 7154 
Feline's consciousness.... 7154 
so 7154 
Repeatability is a key difference for music and SOUND 1966 
Changes With Consistency as a Backdrop 1966 
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