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» Do curved corners help???
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» Reflections pattern in C»
» The dynamic range of our»
» Tosca, Aida, Madama Butt»
» CD Is Dead. CD Is Dead?
» New show in US, some new»
» The Lieberson’s Neruda S»
» Oistrakh(s) on Monitor M»
» Do You Really Know How b»
» Midbass impedance bumps »
» Live memories of Live br»
» Le Poeme Harmonique
» Digital crossovers self-»
» JBL 2490 mid-range driver
» Very interesting
» Kevin Brooks Acoustic Sy»
» Turntable Design
» Tolga Kashif's “The Quee»
» Is it the time to change»
» Abbado + Lucerne Festiva»
» The Evolution (or Anti-E»
» A big subwoofer vs. an a»
» Stage Music: get clew.
» Lutoslawski’s Concerto f»
» The “Dead Points of Live»
» An unexplored way to dea»
» Really Expensive DACs?
» Electrovoice t350 repair»
» Micro Seiki MAX 282 Ques»
» Riccardo Muti and Chicag»
» Bach's performing space.
» Wanted Vitavox S2 Origin»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7092 
Selfdenial as Audio Tower of Babble? 7089 
Musical Messages 7089 
The Sound of Music by and for musicians 7089 
The Original Sound 7088 
Audio, visual art and Cesar salad. 7088 
Relative Contrast 7088 
aura of art 7088 
Why, why Abstract Audio? 7088 
Re: Relative Contrast 7088 
"Differences" versus "contrast" 7088 
I would shade some light about “abstract audio” 7087 
Color Theory 101 7087 
a healthy divide 7086 
Further musings on JD's ideas above. 7086 
not to be too picky, but it might be important 7083 
Let's put a positive, festive note to this 7083 
Sure why not! + optical ideas 7082 
Color hearing and foreign languages... 7082 
what's the problem. 7067 
one itsy bitsy clarification 7067 
Feline's consciousness.... 7067 
so 7067 
Repeatability is a key difference for music and SOUND 1879 
Changes With Consistency as a Backdrop 1879 
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