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Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
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» I am thinking about anim»
» Tonearms criterias??
» Milq: Starting the proje»
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» Avid Listener --- Stereo»
» Claude Perrier and his t»
» Philosophical approach t»
» The Andrew Rose’s “Prist»
» Nothing to read.
» High-end audio: Absolute»
» Elgar conducts Elgar.
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» Melquiades: too early fo»
» A perfect "High-End»
» Digital crossovers self-»
» Mr. Kleen Stylus cleaner
» Single-stage Melquiades »
» Phoenix
» NOS Wagner move - what i»
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Stereopal
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7109 
Selfdenial as Audio Tower of Babble? 7106 
Musical Messages 7106 
The Sound of Music by and for musicians 7106 
The Original Sound 7105 
Audio, visual art and Cesar salad. 7105 
Relative Contrast 7105 
aura of art 7105 
Why, why Abstract Audio? 7105 
Re: Relative Contrast 7105 
"Differences" versus "contrast" 7105 
I would shade some light about “abstract audio” 7104 
Color Theory 101 7104 
a healthy divide 7103 
Further musings on JD's ideas above. 7103 
not to be too picky, but it might be important 7100 
Let's put a positive, festive note to this 7100 
Sure why not! + optical ideas 7099 
Color hearing and foreign languages... 7099 
what's the problem. 7084 
one itsy bitsy clarification 7084 
Feline's consciousness.... 7084 
so 7084 
Repeatability is a key difference for music and SOUND 1896 
Changes With Consistency as a Backdrop 1896 
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