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» Speakers: a hi-fi disast»
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» High End Munich 2014 imp»
» Levels of High End Audio»
» The “sounds” that I am l»
» Digital crossovers self-»
» Bruckner at 24bit.
» Solid state revisited
» Vox Olympian secrets unv»
» Use absolute polarity as»
» To move audio equipment »
» The power AC Outlets?
» A speaker set with JBL 2»
» Transfer: The reel-to-re»
» The LavryBlack DA11 Ster»
» William Kapell legacy an»
» Macondo: new horizons. A»
» Justification of Buying »
» A request to all posters»
» The John Barbirolli’s wi»
» Who owns what in FM
» New Bamboo Speakers Feed»
» A datacenter at home and»
» Electro-Voice T350, T35,»
» Playing American Music o»
» The Rachmaninoff's large»
» Audio Quality Matters in»
» The Active High Frequenc»
» About the undeveloped au»
» A stunning contra-Bruckn»
» Think how a playback com»
» Yamaha ns1000m speaker p»
» Off-the-wall playback or»
» Battling stupid Horn Cri»
» Etheraudio's some BS….
» Stop buying the records »
» A need for Resolution /S»
» Audio industry metaphor
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7090 
Selfdenial as Audio Tower of Babble? 7087 
Musical Messages 7087 
The Sound of Music by and for musicians 7087 
The Original Sound 7086 
Audio, visual art and Cesar salad. 7086 
Relative Contrast 7086 
aura of art 7086 
Why, why Abstract Audio? 7086 
Re: Relative Contrast 7086 
"Differences" versus "contrast" 7086 
I would shade some light about “abstract audio” 7085 
Color Theory 101 7085 
a healthy divide 7084 
Further musings on JD's ideas above. 7084 
not to be too picky, but it might be important 7081 
Let's put a positive, festive note to this 7081 
Sure why not! + optical ideas 7080 
Color hearing and foreign languages... 7080 
what's the problem. 7065 
one itsy bitsy clarification 7065 
Feline's consciousness.... 7065 
so 7065 
Repeatability is a key difference for music and SOUND 1877 
Changes With Consistency as a Backdrop 1877 
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