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The audio preview of the audio part of my Book

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Melquiades SET Amplifier
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End of Life Phonostage
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» What TRULY high-audio p»
» A sort of DPOLs
» Bad, bad, bad 1812 Overt»
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» Macondo Horns: biography.
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» Volti Audio's Vittora
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» How to build the best au»
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» The single-ended pretens»
» Belcea Quartet
» 12AX7 or?
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» The 24 bits of Christmas
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» The BEST bass cable?
» Bruckner, Wind and the w»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7161 
Selfdenial as Audio Tower of Babble? 7158 
Musical Messages 7158 
The Sound of Music by and for musicians 7158 
The Original Sound 7157 
Audio, visual art and Cesar salad. 7157 
Relative Contrast 7157 
aura of art 7157 
Why, why Abstract Audio? 7157 
Re: Relative Contrast 7157 
"Differences" versus "contrast" 7157 
I would shade some light about “abstract audio” 7156 
Color Theory 101 7156 
a healthy divide 7155 
Further musings on JD's ideas above. 7155 
not to be too picky, but it might be important 7152 
Let's put a positive, festive note to this 7152 
Sure why not! + optical ideas 7151 
Color hearing and foreign languages... 7151 
what's the problem. 7136 
one itsy bitsy clarification 7136 
Feline's consciousness.... 7136 
so 7136 
Repeatability is a key difference for music and SOUND 1948 
Changes With Consistency as a Backdrop 1948 
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