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The audio preview of the audio part of my Book

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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
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» The sound of Concert Hal»
» Vitavox 12 cell Horns + »
» Don't evaluate audio by »
» Short midbass horns
» Direct radiation in the »
» Tchaikovsky’s “Evgeny On»
» Who inherit Mocondo or a»
» VTL TL-7.5 Reference: Hi»
» Any good sounding AES/EB»
» The nature of "soun»
» Van den Hul 's Grail
» The last phonocorrector:»
» The Sakuma's Show
» About Boiling Micro Resp»
» Wanted Vitavox S2 Origin»
» Harmonies for Bosch’s Ga»
» Driver tubes, grid leak »
» Monophonic bass: myth an»
» “They either adore me or»
» The evil of low sensitiv»
» The New sound of London »
» Micro Seiki Armboards: I»
» A horrible re-performanc»
» Beware of "Higher F»
» Those experiences. Early»
» New, Transparent Speaker»
» Beethoven PVC Trio, Opus»
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» Another light for the LS»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7157 
Selfdenial as Audio Tower of Babble? 7154 
Musical Messages 7154 
The Sound of Music by and for musicians 7154 
The Original Sound 7153 
Audio, visual art and Cesar salad. 7153 
Relative Contrast 7153 
aura of art 7153 
Why, why Abstract Audio? 7153 
Re: Relative Contrast 7153 
"Differences" versus "contrast" 7153 
I would shade some light about “abstract audio” 7152 
Color Theory 101 7152 
a healthy divide 7151 
Further musings on JD's ideas above. 7151 
not to be too picky, but it might be important 7148 
Let's put a positive, festive note to this 7148 
Sure why not! + optical ideas 7147 
Color hearing and foreign languages... 7147 
what's the problem. 7132 
one itsy bitsy clarification 7132 
Feline's consciousness.... 7132 
so 7132 
Repeatability is a key difference for music and SOUND 1944 
Changes With Consistency as a Backdrop 1944 
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