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The audio preview of the audio part of my Book

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» Analogue to digital conv»
» DA architecture: True M»
» The New Year Concerts wi»
» Pop-music as a side-disc»
» Andre Previn in Boston.
» The Color of Bass
» Pono & Meridian - an»
» Sensible record cleaning»
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» Bravo Brahms, Bravo Wand»
» A perfect "High-End»
» Janine Jansen
» Brahms PC #1, Philharmon»
» Neumann Dummy Head.
» Bruckner 8, WDR and Manf»
» How Well Shall a CD Tran»
» The wonderful Alisa Weil»
» What is the buzz: the V-»
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» Does Reference Recording»
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» Prom 22 - if only all or»
» A dive to Auro 3D
» DIY multicellular horn
» High-End Audio Bass: wha»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7174 
Selfdenial as Audio Tower of Babble? 7171 
Musical Messages 7171 
The Sound of Music by and for musicians 7171 
The Original Sound 7170 
Audio, visual art and Cesar salad. 7170 
Relative Contrast 7170 
aura of art 7170 
Why, why Abstract Audio? 7170 
Re: Relative Contrast 7170 
"Differences" versus "contrast" 7170 
I would shade some light about “abstract audio” 7169 
Color Theory 101 7169 
a healthy divide 7168 
Further musings on JD's ideas above. 7168 
not to be too picky, but it might be important 7165 
Let's put a positive, festive note to this 7165 
Sure why not! + optical ideas 7164 
Color hearing and foreign languages... 7164 
what's the problem. 7149 
one itsy bitsy clarification 7149 
Feline's consciousness.... 7149 
so 7149 
Repeatability is a key difference for music and SOUND 1961 
Changes With Consistency as a Backdrop 1961 
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