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The audio preview of the audio part of my Book

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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
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» Horn-Kultur 5-Way from G»
» Tuva Semminsen sings Viv»
» What is interesting abou»
» Mahler: Symphony No. 2 i»
» I can't wait to read the»
» Motion Picture Sound
» SET and speakers: disreg»
» A synonym of audio revie»
» Altec A2
» I wonder when Chinese be»
» Multicellular horns
» The Deutsches Requiem of»
» Micro seiki SX-8000 Air »
» X-mas list
» Sensible record cleaning»
» Where are the full-funct»
» Tedeska Cartridges.
» Long time due: Digital P»
» How do you position your»
» The best 20 hz bass horn
» The “Right of Spring” – »
» Every crowd has a silver»
» Beautiful Mahler Lieder
» Romy's Horns
» Tannoy Red or Gold monit»
» Verify that you sources »
» Off-the-wall playback or»
» If you are in Bruckner: »
» USB microscope for setti»
» Where the FM quality com»
» The open project: a late»
» High End speakers Evolut»
» High Quality Music Serve»
» Universal VTA adjustment.
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Input Choke & Resonant C»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7178 
Selfdenial as Audio Tower of Babble? 7175 
Musical Messages 7175 
The Sound of Music by and for musicians 7175 
The Original Sound 7174 
Audio, visual art and Cesar salad. 7174 
Relative Contrast 7174 
aura of art 7174 
Why, why Abstract Audio? 7174 
Re: Relative Contrast 7174 
"Differences" versus "contrast" 7174 
I would shade some light about “abstract audio” 7173 
Color Theory 101 7173 
a healthy divide 7172 
Further musings on JD's ideas above. 7172 
not to be too picky, but it might be important 7169 
Let's put a positive, festive note to this 7169 
Sure why not! + optical ideas 7168 
Color hearing and foreign languages... 7168 
what's the problem. 7153 
one itsy bitsy clarification 7153 
Feline's consciousness.... 7153 
so 7153 
Repeatability is a key difference for music and SOUND 1965 
Changes With Consistency as a Backdrop 1965 
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