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The audio preview of the audio part of my Book

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» Try something unusual an»
» JMLC horns profile?
» I need some advice and d»
» Solid state revisited
» Mysterious Russian Tromb»
» Grid bias power supplies
» "Appeal to the Grea»
» The Norman Lebrecht’s ar»
» Melquiades (D-Set) parts»
» The nature of "soun»
» Bruckner 9 live in 30 mi»
» The real goals of sound »
» Tuuubes - where are the »
» Making it sing...
» “Why horns”, years later.
» Earl Geddes: Horny Book
» Capturing live internet »
» A big subwoofer vs. an a»
» Friedrich Kuhlau and his»
» Orphean horns / BMS driv»
» To hear Haydn for a firs»
» Dc10audio.
» Time alignment of drivers
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» In defense of Mikhail Pl»
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» Brian Cheney of VMPS
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Bookmarked are red
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7172 
Selfdenial as Audio Tower of Babble? 7169 
Musical Messages 7169 
The Sound of Music by and for musicians 7169 
The Original Sound 7168 
Audio, visual art and Cesar salad. 7168 
Relative Contrast 7168 
aura of art 7168 
Why, why Abstract Audio? 7168 
Re: Relative Contrast 7168 
"Differences" versus "contrast" 7168 
I would shade some light about “abstract audio” 7167 
Color Theory 101 7167 
a healthy divide 7166 
Further musings on JD's ideas above. 7166 
not to be too picky, but it might be important 7163 
Let's put a positive, festive note to this 7163 
Sure why not! + optical ideas 7162 
Color hearing and foreign languages... 7162 
what's the problem. 7147 
one itsy bitsy clarification 7147 
Feline's consciousness.... 7147 
so 7147 
Repeatability is a key difference for music and SOUND 1959 
Changes With Consistency as a Backdrop 1959 
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