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The audio preview of the audio part of my Book

Audio Knowledge Tree ™
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Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
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» ACR Fabulous-Series PA-1»
» I think about War lately.
» Off-the-wall playback or»
» A better way of approach»
» A magnetic hybrid driver.
» Ravel's String Quartet; »
» Think ahead how to measu»
» EMI rollercoaster across»
» Platine Verdier Magnum
» An angry engineer...
» 3 way Tractrix Horn Buil»
» RIAA pole two = 501,12 Hz
» Dunlavy SC++ loudspeaker»
» Music and WW3
» CD horn and JBL: Crossov»
» Replacing 802 G and 811 »
» Benz Gullwing and Hi all
» I have a dream, the drea»
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» Do curved corners help???
» My site and Your expecta»
» The Bruckner 5 by Benjam»
» Rendezvous Mit Richard T»
» Wiener Philharmoniker r»
» Turntable speed analysis.
» Tanglewood's 75th annive»
» Any South/Latin American»
» Help with Math needed.
» Advanced-Transition Horn»
» Smyth Research Realiser »
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7170 
Selfdenial as Audio Tower of Babble? 7167 
Musical Messages 7167 
The Sound of Music by and for musicians 7167 
The Original Sound 7166 
Audio, visual art and Cesar salad. 7166 
Relative Contrast 7166 
aura of art 7166 
Why, why Abstract Audio? 7166 
Re: Relative Contrast 7166 
"Differences" versus "contrast" 7166 
I would shade some light about “abstract audio” 7165 
Color Theory 101 7165 
a healthy divide 7164 
Further musings on JD's ideas above. 7164 
not to be too picky, but it might be important 7161 
Let's put a positive, festive note to this 7161 
Sure why not! + optical ideas 7160 
Color hearing and foreign languages... 7160 
what's the problem. 7145 
one itsy bitsy clarification 7145 
Feline's consciousness.... 7145 
so 7145 
Repeatability is a key difference for music and SOUND 1957 
Changes With Consistency as a Backdrop 1957 
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