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» (Whose) classical music.»
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» The Opera Room
» A tribune to Transient E»
» MBS Platinum ADC
» RAAL Dipole Ribbon Tweet»
» Truly a new use of high-»
» Modifying TAD 2404
» BW Broadcast RBRX Encore»
» Bach and kids…
» A request to all members»
» Zigmahornets Speakers: c»
» Macondo's Axioms: Horn-l»
» LeCleach vs. tratrix and»
» A multi-tier audio contr»
» S2 Hissing Sound
» A DSET is better then an»
» High End Munich 2023
» Playback and Perception »
» How to build the best au»
» Electronluv systems ques»
» Vitavox ak151 in klipsch»
» About EAR 834P Modificat»
» The new G.I.P speakers.
» About my listening habit»
» Melq 6e5p driver stage f»
» Good small SS amplifier
» A new 'chic' foolishness»
» The “Dead Points of Live»
» Ravel Piano Concerto No2
» Fostex tweeters, Lowther»
» A single worst thing in »
» The "Nubianco"»
» Bad, bad, bad 1812 Overt»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7126 
Selfdenial as Audio Tower of Babble? 7123 
Musical Messages 7123 
The Sound of Music by and for musicians 7123 
The Original Sound 7122 
Audio, visual art and Cesar salad. 7122 
Relative Contrast 7122 
aura of art 7122 
Why, why Abstract Audio? 7122 
Re: Relative Contrast 7122 
"Differences" versus "contrast" 7122 
I would shade some light about “abstract audio” 7121 
Color Theory 101 7121 
a healthy divide 7120 
Further musings on JD's ideas above. 7120 
not to be too picky, but it might be important 7117 
Let's put a positive, festive note to this 7117 
Sure why not! + optical ideas 7116 
Color hearing and foreign languages... 7116 
what's the problem. 7101 
one itsy bitsy clarification 7101 
Feline's consciousness.... 7101 
so 7101 
Repeatability is a key difference for music and SOUND 1913 
Changes With Consistency as a Backdrop 1913 
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