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» My new horn systems
» The remarkable moments i»
» Universal VTA adjustment.
» Mahler: Symphony No. 2 i»
» Compression Drivers -in »
» Myth of CD clocking = Tr»
» High-End Audio. The thir»
» Buckner and Sun
» If you’re multiamping th»
» Suggested target curves »
» Show Report PiS Fest
» WGBH Opera Bash 2009
» Tanglewood's 75th annive»
» About audio Crashes.
» Small spaces
» A tribune to Transient E»
» Midbass Horns and Real E»
» Many Mani's options: My »
» Eduardo de Lima is a fre»
» OK, digitechs, why won't»
» Internet and electricity
» We don’t necessarily kno»
» Relief from micro-arcing»
» About the Audio Neutrali»
» Disregard Digital with V»
» Allnic Verito MC Phono C»
» The Jeff Day’s Westminst»
» Thoughts from Clark John»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7119 
Selfdenial as Audio Tower of Babble? 7116 
Musical Messages 7116 
The Sound of Music by and for musicians 7116 
The Original Sound 7115 
Audio, visual art and Cesar salad. 7115 
Relative Contrast 7115 
aura of art 7115 
Why, why Abstract Audio? 7115 
Re: Relative Contrast 7115 
"Differences" versus "contrast" 7115 
I would shade some light about “abstract audio” 7114 
Color Theory 101 7114 
a healthy divide 7113 
Further musings on JD's ideas above. 7113 
not to be too picky, but it might be important 7110 
Let's put a positive, festive note to this 7110 
Sure why not! + optical ideas 7109 
Color hearing and foreign languages... 7109 
what's the problem. 7094 
one itsy bitsy clarification 7094 
Feline's consciousness.... 7094 
so 7094 
Repeatability is a key difference for music and SOUND 1906 
Changes With Consistency as a Backdrop 1906 
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