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» Vox Olympian secrets unv»
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» Do not over-damped your »
» Turntable Design
» Puccini: Tosca
» CDs: good tendencies.
» Lamm L1 vs. L2 preamp
» This new midbass horn di»
» What is the best or rule»
» World's Finest Sounding »
» Real-time free and publi»
» SET and speakers: disreg»
» Rachmaninoff, PC 3; Kond»
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» The Color of Bass
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» The Foolishness of Analo»
» Dc10audio.
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» Hans Vonk Legacy
» Not new, but VERY intere»
» Garg wants more horns.
» San Francisco in Februar»
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» The foolishness of multi»
» Eben X-3 loudspeakers -»
» The single-ended pretens»
» Altec A2
» Mahler VI - Barbirolli w»
» A Simple Question (or 3)»
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» I'm omnivorous... am I i»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 6767 
Selfdenial as Audio Tower of Babble? 6764 
Musical Messages 6764 
The Sound of Music by and for musicians 6764 
The Original Sound 6763 
Audio, visual art and Cesar salad. 6763 
Relative Contrast 6763 
aura of art 6763 
Why, why Abstract Audio? 6763 
Re: Relative Contrast 6763 
"Differences" versus "contrast" 6763 
I would shade some light about “abstract audio” 6762 
Color Theory 101 6762 
a healthy divide 6761 
Further musings on JD's ideas above. 6761 
not to be too picky, but it might be important 6758 
Let's put a positive, festive note to this 6758 
Sure why not! + optical ideas 6757 
Color hearing and foreign languages... 6757 
what's the problem. 6742 
one itsy bitsy clarification 6742 
Feline's consciousness.... 6742 
so 6742 
Repeatability is a key difference for music and SOUND 1554 
Changes With Consistency as a Backdrop 1554 
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