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The audio preview of the audio part of my Book

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» 6C33C myths: audio Moron»
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» Music & Arts' Stokow»
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» Bartok piano works
» I hate, hate, hate, hate»
» Looking at the pictures »
» The Loudspeaker (Troels »
» The power AC Outlets?
» Soprano Sally Matthews.
» What Is The Minimum for »
» Lamm L1 vs. L2 preamp
» Remastering (and re-loca»
» A proper implementation »
» The ways to delay horns »
» Building On "Accide»
» SME M2
» New superlative horn bui»
» Cellist Daniel Müll»
» Back chamber
» Turntable Design
» Analog: a reduction of s»
» Melq 6e5p driver stage f»
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» Panel with Peter Qvortru»
» Whatever they say about »
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» About beauty and uglines»
» Aries Cerat Contendo - t»
» Small spaces
» Relief from micro-arcing»
» "It" Thread
» Balance
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» How audio started….
» Corresponding With Carlo»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7179 
Selfdenial as Audio Tower of Babble? 7176 
Musical Messages 7176 
The Sound of Music by and for musicians 7176 
The Original Sound 7175 
Audio, visual art and Cesar salad. 7175 
Relative Contrast 7175 
aura of art 7175 
Why, why Abstract Audio? 7175 
Re: Relative Contrast 7175 
"Differences" versus "contrast" 7175 
I would shade some light about “abstract audio” 7174 
Color Theory 101 7174 
a healthy divide 7173 
Further musings on JD's ideas above. 7173 
not to be too picky, but it might be important 7170 
Let's put a positive, festive note to this 7170 
Sure why not! + optical ideas 7169 
Color hearing and foreign languages... 7169 
what's the problem. 7154 
one itsy bitsy clarification 7154 
Feline's consciousness.... 7154 
so 7154 
Repeatability is a key difference for music and SOUND 1966 
Changes With Consistency as a Backdrop 1966 
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