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» The single-stage Milq an»
» Oppo DVD player as a tra»
» Boxed in horns
» One of the Best Mozart R»
» Multi-amping crossoverin»
» The road to less dummine»
» Melequiades PSU
» Wharfedale Super 12/RS/D»
» Riccardo Muti and Chicag»
» Radio Stations Harmonize»
» Lower cost horn loaded a»
» In appreciation of Koshka
» NOS Wagner move - what i»
» THE Stargazer
» Orphean horns / BMS driv»
» If I start High-End Audi»
» Italy’s the best: Michel»
» JMLC horns profile?
» High End Audio and music»
» SS Amplification for Com»
» Coconut
» Mstislav Rostropovich Di»
» His Master Voice’s Shade»
» Koussevitsky and La Mer
» MF on AF2, and (perhaps)»
» Like theese?
» “Why horns”, years later.
» What TRULY high-audio p»
» Dc10audio.
» The Avicenna's failure i»
» The ultimate buffer #2..»
» Something that a loudspe»
» Vox Olympian secrets unv»
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» Prices in High-End Audio.
» LeCleach vs. tratrix and»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 6984 
Selfdenial as Audio Tower of Babble? 6981 
Musical Messages 6981 
The Sound of Music by and for musicians 6981 
The Original Sound 6980 
Audio, visual art and Cesar salad. 6980 
Relative Contrast 6980 
aura of art 6980 
Why, why Abstract Audio? 6980 
Re: Relative Contrast 6980 
"Differences" versus "contrast" 6980 
I would shade some light about “abstract audio” 6979 
Color Theory 101 6979 
a healthy divide 6978 
Further musings on JD's ideas above. 6978 
not to be too picky, but it might be important 6975 
Let's put a positive, festive note to this 6975 
Sure why not! + optical ideas 6974 
Color hearing and foreign languages... 6974 
what's the problem. 6959 
one itsy bitsy clarification 6959 
Feline's consciousness.... 6959 
so 6959 
Repeatability is a key difference for music and SOUND 1771 
Changes With Consistency as a Backdrop 1771 
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