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The audio preview of the audio part of my Book

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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
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» Burn any single-driver s»
» I think about War lately.
» Top Recordings of All Ti»
» A full-range quality-tri»
» The ways to delay horns »
» Barn Conversion - James'»
» Avantgarde Trio G3 Louds»
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» A new kid in the block: »
» ELROG tubes sinked but s»
» Dynamic range in histori»
» Kloss 5-way horns setup.
» The Avicenna's failure i»
» Bye-Bye, Fane
» Corresponding With Carlo»
» The single-ended pretens»
» Bruckner and women
» Output transformer for b»
» THE Show, Irvine 2018
» BPO's virtual concert ha»
» CDs organisation methodo»
» The Color of Bass
» Does horn surface porosi»
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» Bid Midbass Asian Horns
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7162 
Selfdenial as Audio Tower of Babble? 7159 
Musical Messages 7159 
The Sound of Music by and for musicians 7159 
The Original Sound 7158 
Audio, visual art and Cesar salad. 7158 
Relative Contrast 7158 
aura of art 7158 
Why, why Abstract Audio? 7158 
Re: Relative Contrast 7158 
"Differences" versus "contrast" 7158 
I would shade some light about “abstract audio” 7157 
Color Theory 101 7157 
a healthy divide 7156 
Further musings on JD's ideas above. 7156 
not to be too picky, but it might be important 7153 
Let's put a positive, festive note to this 7153 
Sure why not! + optical ideas 7152 
Color hearing and foreign languages... 7152 
what's the problem. 7137 
one itsy bitsy clarification 7137 
Feline's consciousness.... 7137 
so 7137 
Repeatability is a key difference for music and SOUND 1949 
Changes With Consistency as a Backdrop 1949 
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