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Random Site's Threads
» Aries Cerat Contendo - t»
» My reading for a “smalle»
» Macondo – Super Melquiad»
» Dialog with Industry Rain
» Altec A2
» The "Nubianco"»
» The Tenor amplifier and »
» Cogent+Electronluv+Acape»
» Macondo vs. the “industr»
» Why I hate HornResp.
» Music & Arts' Stokow»
» Yep, Bach would do it….
» How High-End Audio can b»
» I need some advice and d»
» Greek Anima Loudspeakers
» Rach’s Prelude in C-shar»
» Yamaha 6681B
» Buying cds and records i»
» Anybody building or usin»
» In appreciation of Koshka
» Fake Vitavox S2 diaphrag»
» Audio Tekne driver align»
» The iHorn - a passive a»
» Roomy the cat is going t»
» The Lavry Gold DA924 ++
» The 500-megawatt FM stat»
» The “Right of Spring” – »
» Passive line level cross»
» Preamplifiers: keys to m»
» Getting more from MF cha»
» Satisfying result: the R»
» Janine Jansen
» About my listening habit»
» New here
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» Best streaming service 2»
» Another interesting corr»
» Shock-absorbing tube soc»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7065 
Selfdenial as Audio Tower of Babble? 7062 
Musical Messages 7062 
The Sound of Music by and for musicians 7062 
The Original Sound 7061 
Audio, visual art and Cesar salad. 7061 
Relative Contrast 7061 
aura of art 7061 
Why, why Abstract Audio? 7061 
Re: Relative Contrast 7061 
"Differences" versus "contrast" 7061 
I would shade some light about “abstract audio” 7060 
Color Theory 101 7060 
a healthy divide 7059 
Further musings on JD's ideas above. 7059 
not to be too picky, but it might be important 7056 
Let's put a positive, festive note to this 7056 
Sure why not! + optical ideas 7055 
Color hearing and foreign languages... 7055 
what's the problem. 7040 
one itsy bitsy clarification 7040 
Feline's consciousness.... 7040 
so 7040 
Repeatability is a key difference for music and SOUND 1852 
Changes With Consistency as a Backdrop 1852 
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