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» How do you position your»
» Performance of a week.
» Alfred Schnittke’s Gogol»
» Expectations in the conc»
» Tchaikovsky: Symphony No»
» Another interesting corr»
» Thoughts from Clark John»
» DSET and Cables.
» High-End Audio, DPoLS -»
» Horn length/expansion/gr»
» Steve Leung, Cartridge W»
» Avantgarde method of cap»
» Audio and Music: four le»
» Maria Callas’s Glory Day»
» How playing an instrumen»
» Melquiades For Dummies™ »
» About the Playbacks’ Thi»
» About “strangeness” of A»
» Playing American Music o»
» Gaussmeter wanted.
» The industry-embraced au»
» Really Expensive DACs?
» THE Show, 2016
» The Lieberson’s Neruda S»
» A new European productio»
» Jonathan Weiss Introduce»
» How to make musicians to»
» The UnipheyeMusic and St»
» The Ralf Stegmueller’s h»
» Problems with horns: twe»
» Claude Perrier and his t»
» Strings reinforced sound»
» Explain TAD ET-703 drive»
» Schimmel's Voxativ Ampeg»
» The CD players must read»
» Those experiences. Early»
» High-end audio: Absolute»
» Infinite Baffle Implemen»
Bookmarked are red
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The Tape Project
JE Labs
Phil Mundi Audio Pro Med»
Piano Wizard
Radiotron Designers Hand»
The Soul of Sound
George Szell discography
Lenard's Opals monitor
Heart's Ease
Input Choke & Resonant C»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7123 
Selfdenial as Audio Tower of Babble? 7120 
Musical Messages 7120 
The Sound of Music by and for musicians 7120 
The Original Sound 7119 
Audio, visual art and Cesar salad. 7119 
Relative Contrast 7119 
aura of art 7119 
Why, why Abstract Audio? 7119 
Re: Relative Contrast 7119 
"Differences" versus "contrast" 7119 
I would shade some light about “abstract audio” 7118 
Color Theory 101 7118 
a healthy divide 7117 
Further musings on JD's ideas above. 7117 
not to be too picky, but it might be important 7114 
Let's put a positive, festive note to this 7114 
Sure why not! + optical ideas 7113 
Color hearing and foreign languages... 7113 
what's the problem. 7098 
one itsy bitsy clarification 7098 
Feline's consciousness.... 7098 
so 7098 
Repeatability is a key difference for music and SOUND 1910 
Changes With Consistency as a Backdrop 1910 
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