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The audio preview of the audio part of my Book

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Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
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» The essence of High-End »
» "Not So Sweet Spot&»
» Shopping for DSD Convert»
» Those experiences. Early»
» Vincent Brient’s playbac»
» Audio Enigma Variation
» Small spaces
» Educate yourself WHY you»
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» What to read in audio?
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» Which SME 3009?
» What, no Mahler?
» Sounds of Science
» Professional sound syste»
» Recommendation Bruckner »
» My new horn systems
» My old Fi-Hi gear associ»
» About the (secret) rules»
» The not-so-big listening»
» Credibility of digital i»
» How to organize files wi»
» Who builds horns?
» Bruckner 9, Transcriptio»
» Audio Tekne driver align»
» Horn-Kultur 5-Way from G»
» October surprise. NY, NY»
» The evil of low sensitiv»
» Faberryman and the CES 2»
» Alfred Schnittke’s Gogol»
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Glenn Gould Audio Archiv»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7185 
Selfdenial as Audio Tower of Babble? 7182 
Musical Messages 7182 
The Sound of Music by and for musicians 7182 
The Original Sound 7181 
Audio, visual art and Cesar salad. 7181 
Relative Contrast 7181 
aura of art 7181 
Why, why Abstract Audio? 7181 
Re: Relative Contrast 7181 
"Differences" versus "contrast" 7181 
I would shade some light about “abstract audio” 7180 
Color Theory 101 7180 
a healthy divide 7179 
Further musings on JD's ideas above. 7179 
not to be too picky, but it might be important 7176 
Let's put a positive, festive note to this 7176 
Sure why not! + optical ideas 7175 
Color hearing and foreign languages... 7175 
what's the problem. 7160 
one itsy bitsy clarification 7160 
Feline's consciousness.... 7160 
so 7160 
Repeatability is a key difference for music and SOUND 1972 
Changes With Consistency as a Backdrop 1972 
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