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The audio preview of the audio part of my Book

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Melquiades SET Amplifier
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» Garg wants more horns.
» Jonathan Weiss Introduce»
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» Boxed in horns
» I think my Dynavector 10»
» Scientific vs. audio act»
» RMAF 2008 observations, »
» Overlooked Cello Reperto»
» Klangfilm: actual knowle»
» A request to all members»
» Satisfying result: the R»
» Belcea Quartet
» DRU Tube for Melq’s HF c»
» The realty of UHF and LF»
» The dynamic range of our»
» The Evolution of Honk.
» A different breed of 6C3»
» It is all about hard sur»
» The EdgarHorns: the new »
» Submerging deeper into A»
» How we "think"»
» New superlative horn bui»
» High-end audio: Absolute»
» THE book on intonation
» Could someone recommend »
» Dvorak Piano Quintet
» The new releases from &q»
» Günter Wand Intervi»
» High-End Audio "sec»
» Archimago's Musings talk»
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» Eben X-3 loudspeakers -»
» Recapping RX5000
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7154 
Selfdenial as Audio Tower of Babble? 7151 
Musical Messages 7151 
The Sound of Music by and for musicians 7151 
The Original Sound 7150 
Audio, visual art and Cesar salad. 7150 
Relative Contrast 7150 
aura of art 7150 
Why, why Abstract Audio? 7150 
Re: Relative Contrast 7150 
"Differences" versus "contrast" 7150 
I would shade some light about “abstract audio” 7149 
Color Theory 101 7149 
a healthy divide 7148 
Further musings on JD's ideas above. 7148 
not to be too picky, but it might be important 7145 
Let's put a positive, festive note to this 7145 
Sure why not! + optical ideas 7144 
Color hearing and foreign languages... 7144 
what's the problem. 7129 
one itsy bitsy clarification 7129 
Feline's consciousness.... 7129 
so 7129 
Repeatability is a key difference for music and SOUND 1941 
Changes With Consistency as a Backdrop 1941 
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