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» High Quality Music Serve»
» Evaluation of tractrix c»
» Dukane 5A540 Compression»
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» THe Audio Critic Magazine
» Zigmahornets Speakers: c»
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» What to read in audio?
» About DSET-driven multi-»
» Do curved corners help???
» I can't wait to read the»
» Richard Wetz and Martin »
» My playback: what is nex»
» Macondo: new horizons. A»
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» Why David Robertson does»
» LPs & CDs Storage.
» The new FM Classical sce»
» Yamamura's 6 ways
» Rendezvous Mit Richard T»
» Brahms PC #1, Philharmon»
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» 47 Lab Digital
» Corner Speakers for a ne»
» Tuuubes - where are the »
» Reflections pattern in C»
» Tanglewood Music Center »
» The new G.I.P speakers.
» Bach, Brandenburg Concer»
» High-End Audio, how to »
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7042 
Selfdenial as Audio Tower of Babble? 7039 
Musical Messages 7039 
The Sound of Music by and for musicians 7039 
The Original Sound 7038 
Audio, visual art and Cesar salad. 7038 
Relative Contrast 7038 
aura of art 7038 
Why, why Abstract Audio? 7038 
Re: Relative Contrast 7038 
"Differences" versus "contrast" 7038 
I would shade some light about “abstract audio” 7037 
Color Theory 101 7037 
a healthy divide 7036 
Further musings on JD's ideas above. 7036 
not to be too picky, but it might be important 7033 
Let's put a positive, festive note to this 7033 
Sure why not! + optical ideas 7032 
Color hearing and foreign languages... 7032 
what's the problem. 7017 
one itsy bitsy clarification 7017 
Feline's consciousness.... 7017 
so 7017 
Repeatability is a key difference for music and SOUND 1829 
Changes With Consistency as a Backdrop 1829 
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Classical events in Boston
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CEC TL-0 MK2 transport
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