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» The Art of Pablo Casals,»
» Melquiades For Dummies™ »
» Those experiences. Early»
» RDANA - about banning no»
» It is all about hard sur»
» French Horns/drivers sho»
» The bizarre magnetized 6»
» Balance
» New Sonus Faber
» Disregard the industry p»
» Recording options: Pacif»
» The contra-ridicules sol»
» A response to David Hurv»
» The differential diagnos»
» A New Way Forward with P»
» To buy an SACD Player?
» Off-the-wall playback or»
» Moerch DP6 and DP8 “anis»
» In interesting new compa»
» “Hearing Modernity” at H»
» 50/40 Altec 604 Duplex B»
» Macondo vs Dannoy = Esse»
» Myth of CD clocking = Tr»
» It was seventy years ago»
» Parts As Facilitators or»
» An amplifier for Tweeters
» Dpols?
» Elgar conducts Elgar.
» An objective tool to tra»
» Devid Berning amplifiers»
» Reviewing preamps by imb»
» Boulez' LF-Injected Vers»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
It takes balls to shop (never mind the nuts) 7110 
Selfdenial as Audio Tower of Babble? 7107 
Musical Messages 7107 
The Sound of Music by and for musicians 7107 
The Original Sound 7106 
Audio, visual art and Cesar salad. 7106 
Relative Contrast 7106 
aura of art 7106 
Why, why Abstract Audio? 7106 
Re: Relative Contrast 7106 
"Differences" versus "contrast" 7106 
I would shade some light about “abstract audio” 7105 
Color Theory 101 7105 
a healthy divide 7104 
Further musings on JD's ideas above. 7104 
not to be too picky, but it might be important 7101 
Let's put a positive, festive note to this 7101 
Sure why not! + optical ideas 7100 
Color hearing and foreign languages... 7100 
what's the problem. 7085 
one itsy bitsy clarification 7085 
Feline's consciousness.... 7085 
so 7085 
Repeatability is a key difference for music and SOUND 1897 
Changes With Consistency as a Backdrop 1897 
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