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The audio preview of the audio part of my Book

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» A very slow monolog abou»
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» Mahler: Symphony No. 2 i»
» Wet/Dry ™ configuration »
» DBT - a signature of lis»
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» CEC TL0-X: by no means a»
» Jaap van Zweden kicks as»
» The Dvorák’s Tone P»
» The industry-embraced au»
» SF audio gurus?
» A Strange Thread (skip b»
» Haliaetus: Dick Cheney’s»
» Avantgarde Trio G3 Louds»
» Single Ended Triode dist»
» Ophelie Gaillard renders»
» Cable Current Loading
» What Passes for "Sp»
» "Zaratustra II"»
» High Quality Music Serve»
» Paradoxes of my Racism.
» Brahms, "Liebeslied»
» OK, digitechs, why won't»
» Disregard Digital with V»
» Abbado + Lucerne Festiva»
» Bach Cello Suites
» Tchaikovsky: Symphony No»
» Interesting non horn spe»
» The "Nubianco"»
» Japanese Super High Mate»
» Position your speakers a»
» Perception - Time Consta»
» Conductor Herbert Kegel
» Altec A2
» Midbass injection channel
» Remote control - the ult»
» Future of high-end audio
» The best audio system: m»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
Cmpare them 725 
I wonder to what effect transcribing music has in the preservation of music. 724 
Musicians transcribe many things all the time 724 
I will give you one hour... 724 
Just majic... 723 
"In The Moment" 723 
Why I brought those two pieces together 712 
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