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» Kristian Zimerman BBC in»
» The loudspeakers for a p»
» How to evaluate playback»
» The most complicated que»
» About DSET-driven multi-»
» Playback evaluations mad»
» What is the best or rule»
» VITAVOX - Current Lineup»
» Melquiades For Dummies™ »
» Nicolai Golovanov
» Buying cds and records i»
» And a Bruckner 8 the day»
» A Strange Thread (skip b»
» R22
» Pacific Microsonics Mode»
» Stephen Hartkel, the goo»
» The Melquiades bass chan»
» A beautiful miller's dau»
» I have a dream, the drea»
» LLoyd Walker Never Rests
» Why people still sell co»
» Some kind of Grundig…
» Hiroyasu Kondo: “My thou»
» Super Melquiades, Macond»
» The New York Philharmoni»
» Memory Player Box?
» Macondo 2.0?
» Good midbass is complica»
» Digital Voicing
» An interesting read abou»
» HD Radio? Good, bad or u»
» The WHRB Wagner’s Ring C»
» “Why horns”, years later.
» About the tweeters phase»
» The centuries old strugg»
» Ca(r)t before the horse:»
» Some Audiogon realty
» The open project: a late»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
Cmpare them 683 
I wonder to what effect transcribing music has in the preservation of music. 682 
Musicians transcribe many things all the time 682 
I will give you one hour... 682 
Just majic... 681 
"In The Moment" 681 
Why I brought those two pieces together 670 
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