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Romy the Cat has found another room. I’ve started a new fiction project under my name, Roman Bessnow. The new work is at MutationsBook.com

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Melquiades SET Amplifier
Macondo Acoustic System
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Audio Demoronizator AD-1
My Exotic Audio Leftovers
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» Kharma Speakers as pH-in»
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» 6C33C myths: audio Moron»
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» Dubbing LP to digital.
» Fantasies about 10Y
» New Barenboim’s Bruckner»
» The new releases from &q»
» Chopin's Waltzes, Witold»
» Rachmaninoff’s Symphony »
» A car with vacuum tube..»
» Joaquin Rodrigo’s “Conci»
» Depicting and Visualizin»
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» GoodSoundClub – one year»
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» Tonality versus Frequenc»
» RMAF 2008 observations, »
» Liszt Piano Sonata &»
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» Rebel++ first blood, Amp»
» Shindo Latour
» Power Supplym for driver»
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» The Trout - Perlman, Ba»
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» Do not pursue full-range»
» Upperbass horns – tone v»
» The 5th horns in stack o»
» Schubert's Dancing Cats
» About dymick sparkling.
» A littlie D-War: Bidat v»
» More about the EdgarHorn»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
Upperbass horns – tone vs. distance 5204 
There is no such a thing as optimal distance 5204 
Re 5204 
Integration distance 5202 
Imposable to generalize 5201 
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