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» RDANA - about banning no»
» HELP: I’m a line-level l»
» Accuracy vs. Musicality »
» What about 220V 50Hz?
» 6C41C – the journey to n»
» A Very Nice "Eroica»
» Recording/Playback softw»
» Melquiades For Dummies™ »
» Learning to interpret RTA
» An idea of Individual Re»
» My beloved Contraltos: k»
» DIY Void acoustics Air m»
» Mystery of bass horn cal»
» Tschaikowsky, [Violin] C»
» Satisfying result: the R»
» Kitties go to London
» Hmmm... the sad truth ab»
» Looking to brainstorm st»
» The Berlin Philharmonic »
» High-End Audio vs. High-»
» Zigmahornets Speakers: c»
» The low-power SET and de»
» Credibility of digital i»
» Open Baffle Speaker Desi»
» Show Report PiS Fest
» Sonic consequences of re»
» Lavry vs Stahl -Tek
» Why I hate HornResp.
» 3 way Tractrix Horn Buil»
» Here is my new tonearm.
» Excerpt: Beethoven Cello»
» Not new, but VERY intere»
» Julia Fischer in Boston »
» THE Stargazer
» Altec Model 19 in Boston.
» Better organization/desi»
» The Thomas Blumenhofer’s»
» Micro Seiki RX-5000 stat»
Bookmarked are red
Valves Collection
Bruce Edgar's Edgarhorn »
The Victor Victrola Page
Tin Lee Electronics
Great Plains Audio
Thunderstone Audio Websi»
Paul's Antenna Attic
Audiomisc
Club Abbadiani Itineranti
George Szell discography
Vincent Brient's Sit
John Lenard Burnett's si»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
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APR 12 Takács Quartet in Gr»
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Pacific Microsonics Mod»
LF Transformer for 6C33C
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Micro-Seiki Arm Board
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Musatex-TP Bidat 20-Bi»
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