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» Small SET’s bass, beside»
» Another interesting corr»
» How many Bits needed for»
» An amplifier for Tweeters
» How many channels does a»
» Loudspeaker: Sound repro»
» I am thinking about anim»
» Electrovoice t350 repair»
» William Ralston Listenin»
» The Home Theater thought»
» Constructing LF modules »
» Grid bias power supplies
» The Sound and How We Hea»
» How to make a music pers»
» Winter storm & Casals
» Education vs Magic
» The Herbert von Karajan’»
» New Lynx A/D and D/A pro»
» Film about Jacqueline du»
» Speakers: a hi-fi disast»
» The Foolishness of Analo»
» Watching conductors of t»
» Recording/Playback softw»
» Midbass impedance bumps »
» Help: Building a Melquia»
» Outdoor horns
» Does Reference Recording»
» Tossy Spivakovsky and Tc»
» The ultimate cancer of a»
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Alexander Karpov’s “Next»
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Clemens Krauss Archive
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Dazy Web Labaratory
Recording Technology His»
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Sibelius Academy music l»
VIP Records
Audio Perfectionist
Great Hong Kong Blog
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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a woman takes the podium a»
he wasn’t toscanini, but h»
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‘the lost pianos of siberi»
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it’s (almost) business as »
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Rohde & Schwarz MSDC Mu»
Musatex-TP Bidat 20-Bi»
Purist Audio Design Pro»
SME M2 - 12" Tonearm wi»
Micro Seiki RX-5000
Micro-Seiki MAX-282 To»
LF Transformer for 6C33C
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Ortofon Mono CG 25 Di c»
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