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» The New Year Concerts wi»
» “Hearing Modernity” at H»
» The Evolution of Honk.
» Bruckner 9, Transcriptio»
» Dannoy 2021 Loudspeakers
» Updated view: The Optima»
» The “Inverted High End A»
» SET and speakers: disreg»
» “Why horns”, years later.
» K2HD -yet, another CD fo»
» Strings reinforced sound»
» Sibelius VC; Furtwangler»
» Zander, BPO, George Li a»
» Make your own horns?
» A new beast from JBL: Ev»
» Expensive Audiophilism a»
» CD Is Dead. CD Is Dead?
» The need for a balanced »
» The BBC Proms 2009
» The WHRB’s Rimsky-Korsak»
» About the (secret) rules»
» The “bread and circus” o»
» Beware of "Higher F»
» Which SME 3009?
» Perspective?
» Just Hi.. and my audio b»
» “They either adore me or»
» A big room with good aco»
» Parts As Facilitators or»
» The cut or not to cut, t»
» A right midbass solution»
» Audio clubs in London, T»
» Audio-tekne's "Tone»
» RMAF 2008 observations, »
» Michael Fremer Continuum»
» 7788 tube mic pre design
» Chinese upperbass horn.
» Hiroyasu Kondo: “My thou»
Bookmarked are red
Avie Records
Wolds Opera Broadcasts
Overgrown Path
Classical Music Network
DIY SET
Polish GM70 Poject
Altec divers/horns
Audiofederation's Blog
Eugene Ormandy Pages
Olson Acoustical Book
Paul's Antenna Attic
Classical Collections
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
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