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» Macondo – Super Melquiad»
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» My trip to the Stereophi»
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» Crash course on horns an»
» Those Video broadcasts f»
» The meaning of lowest oc»
» Paganini's Daemon : A Mo»
» A passive but elegant pr»
» Six years of continuing(»
» Thoughts on midbass horn»
» The Rachmaninoff's large»
» Callas and Tebaldi Compa»
» The single-stage Milq an»
» The UnipheyeMusic and St»
» Trash your “full-rage”, »
» Horn Enclosures & &q»
» SS Amplification for Com»
» A quantum CD?
» My old Fi-Hi gear associ»
» Sauna and Audio
» Very in depth considerat»
» Horns and digital crosso»
» About the (secret) rules»
» Custom made woofers.
» A primer on high-end mar»
» Chasing utopian better p»
» Macondo Frame modificati»
» The optimum Sampling Rat»
» My current conductor obs»
» Anybody building or usin»
» Thoughts from Clark John»
» Altec cabinet: 815a
» Our Fuzzy Pussies, Audio»
» Align your FM tuners!
» Reinforced live sound in»
» WE15a plans
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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