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» Digi Redux; Drive 1 tran»
» A quest for a better mon»
» LF Amplifier in biamping.
» The Estonian idiocy: Est»
» Matching audio to music:»
» Wilson Audio Setup Proce»
» Motion Picture Sound
» The global live televisi»
» New Horn Speaker Manufac»
» Streophile show 2007 and»
» Romy's Multi-cell Horns »
» Push pull compound compr»
» Milq: Starting the proje»
» A quote from a Japanese »
» A passive but elegant pr»
» Zebra horns painting?
» A primer on high-end mar»
» Looking at the pictures »
» High End Audio and music»
» So, What's the Story on »
» Eat your heart out, Mr. »
» Appearance of listening »
» Esther Kim. What did you»
» Some conical horns anti-»
» Analog is Back 2011: Wav»
» A big subwoofer vs. an a»
» Grid bias power supplies
» Equalizer? Hm…
» Altec Model 19 in Boston.
» Crossover Design
» Trinnov amplitude and im»
» The corrupted listening »
» Active Tonearm Monitorin»
» RCA’s Sound And The Story
» First order filtration a»
» TX-103s...
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Musatex’s Bidat Model "»
Pacific Microsonics Mod»
Vitavox AK151 15" bass »
SME M2 - 12" Tonearm wi»
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CEC TL-0 MK2 transport
Micro Seiki RX-5000
“Tree Blind Mice” colle»
Fane Studio 8 dual conc»
Micro-Seiki MAX-282 To»
Sansui TU-X1 Tuner
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