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» T.H.E. Show, Newport, 20»
» William Kapell legacy an»
» Bach's Cello Suites
» Other Ways of getting Sp»
» Too damn loud?
» High-End Audio "sec»
» “Hearing Modernity” at H»
» Why I do not like La-hor»
» Why horn-loaded loudspea»
» Music reviews are writte»
» Russian variant amplifier
» The “new” ways for initi»
» Johannes Brahms - Sympho»
» Great Cello Concertos
» About audio Crashes.
» Idea of a 3way horn syst»
» Tractrix Bass horn vs Sp»
» Avantgarde Trio G3 Louds»
» There is no need to say »
» "Zaratustra II"»
» Micro SX8000I: noisy pum»
» Sonic consequences of re»
» “Why horns”, years later.
» Zebra horns painting?
» Audio Tekne driver align»
» Remastering (and re-loca»
» High-End Audio Bass: wha»
» The New York Philharmoni»
» My horn speakers system.»
» Are You On the Road to A»
» New nanotube speaker tec»
» The jump-start of loudsp»
» Valve Technology Timeline
» A turntable platter as a»
» Harmonies for Bosch’s Ga»
» Beautiful Mahler Lieder
» Long time due: Digital P»
» Chostakovich: Concerto »
Bookmarked are red
Jogis Röhrenbude's Site
Alexander Karpov’s “Next»
GS Tube
Jong Woo's Site
Dazy Web Labaratory
Classical Music Forum
Tubecad publication
ECC99 - 6C33C SET
StateWork Broadcast Reco»
Louis Speichler's Records
Electronics encyclopedia
Takashi Asahina Group
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
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APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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