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» Zigmahornets Speakers: c»
» Orphean horns / BMS driv»
» Brahms PC #1, Philharmon»
» High-End Audio, how to »
» The concrete midbass hor»
» Story of my discovery - »
» If you are in Bruckner: »
» How to sell high-end aud»
» Does tube preamplifier V»
» Ultimate Turntable?
» Digital crossovers self-»
» The most interesting hor»
» SS Amplification for Com»
» To Milq builders: correc»
» GM70 vs. 6C33C
» Macondo vs Dannoy = Esse»
» Bruckner 8, WDR and Manf»
» Assemble it yourself?
» A car with vacuum tube..»
» The Loudspeaker (Troels »
» Dialog with Industry Rain
» Why horn-loaded loudspea»
» VMPS RM V60 – kill me, b»
» Boston Vinyl Stores?
» Ode to joy
» Lamm ML2.1 "No long»
» Gould's Piano
» My first audio show. Hmm»
» Antenna diversity system»
» Van den Hul 's Grail
» A cutoff horn loudspeake»
» Making of a Steinway.
» Shindo Latour
» The most complicated que»
» Romy...thoughts on Lamm »
» The wonderful Alisa Weil»
» The ultimate cancer of a»
» The corrupted listening »
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Heart's Ease
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
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Micro Seiki RX-5000
SME M2 - 12" Tonearm wi»
Electro-Voice T350 twee»
Musatex-TP Bidat 20-Bi»
Vitavox S2/S3 diaphragms
ESS AMT-1A Heil Air Mot»
Lamm Industries M1.1 Mo»
Micro-Seiki MAX-282 To»
Korvet “Egg” Tonearm
Koetsu Onyx Platinum Ca»
Altec 515B bass drivers
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