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» A horn workshop
» Reality Check system to »
» Time Alignment : Live Pe»
» A sad day in Greece.
» Dream Hi-Eff Speakers fo»
» The best musical event o»
» Lithuania enters the gam»
» Why I hate HornResp.
» True High-End Audio: Ant»
» The FM Stereo and Multi»
» Education vs Magic
» 100V vs 120V
» William Kapell legacy an»
» Choosing Someone to Refu»
» Learning to interpret RTA
» Getting more from MF cha»
» Double enclosure or usin»
» What is better then Wagn»
» Yo-yo Ma live on the int»
» Custom made woofers.
» THE book on intonation
» 6C33C myths: audio Moron»
» The “theories” about the»
» Tannoy Red 1960s: some s»
» Better DAW by a “second”»
» DSET and Cables.
» Active Tonearm Monitorin»
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» The state of High-Effici»
» Hi from Melbourne, Austr»
» AMR PH-77: just another »
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Micro Seiki RX-5000
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CEC TL-0 MK2 transport
Lamm L2 Reference pream»
REL Precedent 646C tuner
Electro-Voice T350 twee»
Micro-Seiki Arm Board
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Micro-Seiki MAX-282 To»
Altec 515B bass drivers
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