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» Tannoy's Flagship by Jef»
» Bruckner 9, Transcriptio»
» Bye-bye Studer…
» The Edgarhorn RTA respon»
» New superlative horn bui»
» Book "High Quality »
» The BBC program about gr»
» How to manage audio powe»
» Atkinson vs. Tektronix: »
» How to manage the digita»
» Lab JC
» DIY multicellular horn
» A playback and wrong not»
» SET and speakers: disreg»
» The Expressive Technolog»
» Lavry D9a26 Power Supply
» Weber’s "Andante e »
» How many channels does a»
» George Orwell and loudsp»
» Andrew's new 4-way horn »
» About the ownership of a»
» Write your own ploy of t»
» Why Hight-End Audio, as »
» Input choke for Low Curr»
» The single-ended pretens»
» RMAF06 Show Report
» Some horn writing by Tho»
» CES 2006
» The “Implied Sound” in A»
» Meyer X-10
» Plugin for drawing segme»
» Too damn loud?
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Arbiter Records
Musical Musings
Thomas Dunker's Site
WGBH's “Keeping Score”
Perer Gulmann's Classica»
Aria Database
Wiener Philharmoniker Di»
Irvington Music
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Lamm ML-2 Single-Ended »
Fane Studio 8 dual conc»
Stage Acompany SA8535 d»
Musatex’s Bidat Model "»
Micro-Seiki Arm Board
Pacific Microsonics Mod»
Musatex-TP Bidat 20-Bi»
Ortofon Mono CG 25 Di c»
Vitavox S2/S3 diaphragms
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