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» A “pocket version” of Br»
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» JBL 2446
» Why I hate computer play»
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» Direct radiation in the »
» To hear Haydn for a firs»
» Beware of the monophonic»
» The Melquiades bass chan»
» Tuva Semminsen sings Viv»
» Making LPs; What Goes In»
» Macondo listening experi»
» Acoustics of Avery Fishe»
» Other Ways of getting Sp»
» Who makes horns? Archite»
» Using chairs as phase ra»
» Some Audiogon realty
» 5-ways from Speedysteve7
» Analog is Back 2011: Wav»
» Many Mani's options: My »
» “Harmonic Speed”- friend»
» Speakers: a hi-fi disast»
» MF on AF2, and (perhaps)»
» Orphean horns of bd desi»
» Midrange driver suggesti»
» Tokyo (Akihabra) Audio a»
» A right midbass solution»
» Dialog with Industry Rain
» Super Melquiades Amplifi»
» Happy New Year
» Electro-Voice Tweeter an»
» Corner Speakers for a ne»
» Be careful: Imaging vs. »
» If you play a guitar…
» Live memories of Live br»
» Joël Durand Intervi»
» A great conductor - but »
» 12AX7 or?
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Audio Spot Kamani
Max Robinson’s “Fun With»
Furtwängler's conserts
Polish GM70 Poject
Musical Musings
IMSLP Music Library
Japanese's HiFiDo
Unofficial Vitavox Site
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APR 11 Benjamin Zander, con»
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