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» High-End Audio. The thir»
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» Fostex tweeters, Lowther»
» 4-way horn system Prelude
» The Softer Side of a Har»
» Some Horns propaganda
» My current conductor obs»
» Some Audiogon realty
» BW Broadcast RBRX Encore»
» An ultimate transformer »
» Someone is DSETing, it s»
» Audio Quality Matters in»
» Closer to the musicians »
» NESPA Optical Disc Final»
» JBL 2490 mid-range driver
» How to manage audio powe»
» Thoughts on midbass horn»
» Measuring reality: empir»
» Lampizator horn
» Some conical horns anti-»
» The Herbert von Karajan’»
» Low output MC?
» Philmundi Story about ho»
» Active Tonearm Monitorin»
» Equalizer? Hm…
» George Orwell and loudsp»
» More about the EdgarHorn»
» In defense of Mikhail Pl»
» Better DAW by a “second”»
» Okada’s installation.
» Wagner and loudness.
» Updated view: The Optima»
» Günter Wand Intervi»
» If you were to start fro»
» Proximity of horn’s cros»
» What is wrong with the A»
Bookmarked are red
Loudspeaker Designer's G»
Orchestra on Demand
WGBH's “Keeping Score”
Japanese Translator
The Tape Project
Appian Publications & Re»
Opera Collector Guide
Professional Audio Calcu»
Silent Running Audio
Cedille Chicago
Audio Database
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
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APR 12 Takács Quartet in Gr»
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Sansui TU-X1 Tuner
CEC TL-0 MK2 transport
Purist Audio Design Pro»
Fane Studio 8 dual conc»
Ortofon Mono CG 25 Di c»
Rohde & Schwarz MSDC Mu»
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Electro-Voice T350 twee»
Kenwood L-02T FM Tuner
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