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» “Zarathustra” amplifier:»
» The commercial music ser»
» TU-X1 setup
» VMPS RM V60 – kill me, b»
» The Audio of 21 century:»
» Bass drivers inquiry
» Tuuubes - where are the »
» Oistrakh(s) on Monitor M»
» Ultimate Turntable?
» Despicable me
» Who makes horns? Archite»
» The mystery of reversed »
» Sound is like a proverbi»
» Canadian Speaker Proposal
» Universal VTA adjustment.
» Learning to interpret RTA
» Sony Blu-spec CD audio f»
» How we "think"»
» Not new, but VERY intere»
» I would like to believe »
» Sound of line level filt»
» The BSO and Digital Musi»
» Micro RX5000: is that be»
» The Milq’s power supplie»
» Van Cliburn Moscow 1958
» About destiny of “High-E»
» The contra-ridicules sol»
» Benjamin Grosvenor is co»
» Cable Current Loading
» Digital Volume Control s»
» Headphone amplifiers. Ba»
» A slightly crazy idea fo»
» High-end audio: Absolute»
» Bravo, Stereophile: Adve»
» Riccardo Muti and Chicag»
» Engaging the David Haign»
» Better chassis design fo»
» Bach's performing space.
Bookmarked are red
Wiener Philharmoniker Di»
Bruce Edgar's Edgarhorn »
BuyWell CDss
Vintage EV speakers
Audio Database
Archives of Canada
Thunderstone Audio Websi»
Turner Audio
Valves Collection
33+45=78
Silent Running Audio
Tin Lee Electronics
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Micro-Seiki Arm Board
Micro Seiki RX-5000
Vitavox AK-15/40 15" ba»
Ortofon Mono CG 25 Di c»
Lamm Industries M1.1 Mo»
SME M2 - 12" Tonearm wi»
Micro-Seiki MAX-282 To»
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Stage Acompany SA8535 d»
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“Tree Blind Mice” colle»
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