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» Critique audio performan»
» Zander's new Masterclass
» Does Reference Recording»
» Single-stage Melquiades »
» Live vs. Recorded transc»
» Yet another Gould box se»
» Superior electric bindin»
» Reallocation of efforts:»
» Minusk: a new Vibraplan?
» How High-End Audio can b»
» Too damn loud?
» Radio Netherlands’ Live!»
» Observations and Thought»
» The loudspeakers for a p»
» Modifying TAD 2404
» Cool running AB amplifie»
» The commercial music ser»
» Arsenic bacteria & G»
» Metal domes
» About Wilson Audio Louds»
» I do not even know where»
» If you are in Bruckner: »
» Ca(r)t before the horse:»
» Transfer: The reel-to-re»
» Elgar conducts Elgar.
» The “guest musician opin»
» Romy the Cat's Audio»
» Altec cabinet: 815a
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» Playback as an expressiv»
» The Nationals Anthems
» Fake Vitavox S2 diaphrag»
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Input Choke & Resonant C»
Classical Music Streams
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Linkwitz's "Laboratory"
Joachim Raff Society
WGBH's “Keeping Score”
Polish GM70 Poject
Scriabin's Sonatas
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