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» Spivakov, NPoR Orchestra»
» Bravo Brahms, Bravo Wand»
» The Truly High-End Ampli»
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» Valve Preamplifier for M»
» The Norman Lebrecht’s ar»
» CDs: good tendencies.
» Rendezvous Mit Richard T»
» New Barenboim’s Bruckner»
» James Levine takes a gre»
» An unexplored way to dea»
» Deep-cryogenically treat»
» Natalia Gutman (!) in Bo»
» The Patrick Flanagan’s N»
» A Very Nice "Eroica»
» Say “no” to the light to»
» My old Fi-Hi gear associ»
» A response to David Hurv»
» A single worst thing in »
» The FM Stereo and Multi»
» Subjective evaluation of»
» Making of a Steinway.
» TOA monster sized compre»
» Sansui TU-X1 Broadcast m»
» Horn high-sensitively ar»
» Incorporating active cro»
» Building “Zarathustra II»
» Course & guide on ho»
» Idea of a 3way horn syst»
» Smetana's Piano Trio
» Fantasies about 10Y
» Sound is like a proverbi»
» High-End Audio: buy vs. »
» The concrete midbass hor»
» SS Power Amps - the FoxN»
» Weinberg String Quartet »
» A Cardboard Effect.
» "Zaratustra II"»
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Nornan Lebrecht's blog
Duke Classical
Dr. Olson Tribute Site
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Robert Greene’s "Reg on »
Archives of Canada
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Arbiter Records
BuyWell Australia's Clas»
Ron Penndor's Recollecti»
Takashi Asahina Group
Audio Perfectionist
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Lamm L2 Reference pream»
Micro-Seiki air-suspend»
Kenwood L-02T FM Tuner
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Mid-range tantrix round»
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Musatex-TP Bidat 20-Bi»
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