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» Adding one more non-sphe»
» 45Hz Bass Horn
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» The EdgarHorns: the new »
» Mstislav Rostropovich Di»
» How to USE “Resonating O»
» Philmundi Story about ho»
» Macondo vs. the “industr»
» DC offset for A/D conver»
» 3012 silicon dumping
» World's First Concrete R»
» A truly cool solution fo»
» I do not know what else »
» Vendors’ Egos.
» All Active! A DSET and m»
» Audio Covid and some hom»
» From bad Opera to good O»
» Woofer cone materials an»
» Furtwangler War Years Re»
» Hans Deutsch active acou»
» Expectations in the conc»
» Alfred Schnittke’s Gogol»
» Lamm L1 vs. L2 preamp
» Hickok Tube Testers: Qui»
» A great OPT resource page
» Audio and Music: four le»
» More about the EdgarHorn»
» What is High-End Audio?
» SET and speakers: disreg»
» Splitting XLR into Multi»
» "Appeal to the Grea»
» A tube tuner? REL Preced»
» Sub-woofer integration w»
» Audio equipment vs. live»
» Macondo’s MiniMe or abou»
Bookmarked are red
Olson Acoustical Book
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Russian Records
The Cartridge Database
The National Valve Museum
Lockwood Audio
Haenssler Classic
Scriabin's Sonatas
Furtwängler's conserts
Retro hi-fi blog
Marston Records
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Altec 515B bass drivers
Musatex-TP Bidat 20-Bi»
Korvet “Egg” Tonearm
Lamm ML-2 Single-Ended »
Mid-range tantrix round»
Vitavox S2/S3 diaphragms
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Ortofon Mono CG 25 Di c»
Fane Studio 8 dual conc»
Sansui TU-X1 Tuner
Kenwood L-02T FM Tuner
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