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» A request to all posters»
» Audio equipment vs. live»
» A need for Resolution /S»
» Tchaikovsky's Nutcracker»
» RMAF06 Show Report
» Prom 22 - if only all or»
» Disregard Digital with V»
» Rightsizing from extreme»
» EAR Yoshino DAC 4 by Tim»
» Making of a Steinway.
» My feelings about new ex»
» The CES's 2011 horns
» Terminal Velocity? Smart»
» 2010 Classical Grammy No»
» The Norman Lebrecht’s ar»
» Rcf n850
» The CES 2005
» Seven phases in the life»
» K-Stereo Ambience Recove»
» Vitavox and Goodmans Bas»
» The open project: a late»
» The mystery of AmpX
» Some conical horns anti-»
» Midbass impedance bumps »
» About cost of electromag»
» Steve Leung, Cartridge W»
» An educational Eugenie’s»
» Boston and Liszt’s Secon»
» Joseph Haydn, Six Esterh»
» A quest for a better SET.
» The low-power SET and de»
» An Afternoon with Gary K»
» Making LPs; What Goes In»
» Joël Durand Intervi»
» The European Triode Fest»
» The BSO and Digital Musi»
» Rubinstein at Carnegie H»
» The African compression »
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
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