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End of Life Phonostage
Audio Demoronizator AD-1
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» Mahler 3 and BPO.
» 6 Channel Version of Sup»
» Matching audio to music:»
» Audio vs. Musical pitch
» What drives good sound?
» What’s up with these gia»
» The Dvorák’s Tone P»
» Friedrich Kuhlau and his»
» How to manage the digita»
» From bad Opera to good O»
» To hear Haydn for a firs»
» Listening playback with »
» Bookshelf Horns
» Is any interesting audio»
» First order filtration a»
» His Master Voice’s Shade»
» “FM live” file exchange »
» Pro Audio: JBL SR-4735X
» How to play mp3.
» What I am doing?
» Rakeshorns
» Educate yourself WHY you»
» Prokofiev's cantata
» The Remote System Manage»
» Jonathan Valin shell be »
» High-End Audio. The thir»
» Beware of the Arkive Mus»
» Another (outdoorsy) swea»
» Natalia Gutman (!) in Bo»
» LF Amplifier in biamping.
» Tchaikovsky’s “Evgeny On»
» Macondo + Milq… very nic»
» The contra-ridicules sol»
» Recording options: Pacif»
» Depicting and Visualizin»
» The 'nature' of said rea»
» Mendelssohn, Cello Sonat»
» Perspective?
Bookmarked are red
George Szell discography
Former Sirkorski Site
Arbiter Records
Classical Music Network
Radiotron Designers Hand»
Orchestra of the Age of »
Soviet Composers
Classic Records UK
The Music Parlour.
Club Abbadiani Itineranti
Perer Gulmann's Classica»
Professional Audio Calcu»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Korvet “Egg” Tonearm
Musatex-TP Bidat 20-Bi»
Vitavox AK-15/40 15" ba»
Koetsu Onyx Platinum Ca»
CEC TL-0 MK2 transport
Ortofon Mono CG 25 Di c»
Vitavox S2/S3 diaphragms
Micro-Seiki Arm Board
Altec 515B bass drivers
Electro-Voice T350 twee»
Rohde & Schwarz MSDC Mu»
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